Nothing was more amusing than to see him endeavouring to imitate the careless and jocular tone of the young men of fashion.  How awkward was he in the attempt to put on dandy airs when pulling up the corners of his cravat he would say, “Well, Madame, is there anything new to-day?  Citizen, what say they of Bonaparte?  Your shop appears to be well supplied.  You surely have a great deal of custom.  What do people say of that buffoon; Bonaparte?” He was made quite happy one day when we were obliged to retire hastily from a shop to avoid the attacks drawn upon us by the irreverent tone in which Bonaparte spoke of the First Consul.

CHAPTER XXXIV.

1800.

War and monuments—­Influence of the recollections of Egypt—­ First improvements in Paris—­Malmaison too little—­St. Cloud taken —­The Pont des Arts—­Business prescribed for me by Bonaparte—­ Pecuniary remuneration—­The First Consul’s visit to the Pritanee—­ His examination of the pupils—­Consular pensions—­Tragical death of Miackzinski—­Introduction of vaccination—­Recall of the members of the Constituent Assembly—­The “canary” volunteers—­Tronchet and Target—­Liberation of the Austrian prisoners—­Longchamps and sacred music.

The destruction of men and the construction of monuments were two things perfectly in unison in the mind of Bonaparte.  It may be said that his passion for monuments almost equalled his passion for war;

—­[Take pleasure, if you can, in reading your returns.  The good condition of my armies is owing to my devoting to them one or two hours in every day.  When the monthly returns of my armies and of my fleets, which form twenty thick volumes, are sent to me.  I give up every other occupation in order to read them in detail and to observe the difference between one monthly return and another.  No young girl enjoys her novel so much as I do these returns!  (Napoleon to Joseph, 20th August 1806—­Du Casse, tome iii. p. 145).]—­

but as in all things he disliked what was little and mean, so he liked vast constructions and great battles.  The sight of the colossal ruins of the monuments of Egypt had not a little contributed to augment his natural taste for great structures.  It was not so much the monuments themselves that he admired, but the historical recollections they perpetuate the great names they consecrate, the important events they attest.  What should he have cared for the column which we beheld on our arrival in Alexandria had it not been Pompey’s pillar?  It is for artists to admire or censure its proportions and ornaments, for men of learning to explain its inscriptions; but the name of Pompey renders it an object of interest to all.