“Look at it, feel it, it’s like silk. What a miracle of grace! And in five years the house-breaker will sell it for firewood.”
He insisted on taking Philip into a room on the first floor, where a man in shirt sleeves, a blousy woman, and three children were having their Sunday dinner.
“I’ve just brought this gentleman in to show him your ceiling. Did you ever see anything so wonderful? How are you, Mrs. Hodgson? This is Mr. Carey, who looked after me when I was in the hospital.”
“Come in, sir,” said the man. “Any friend of Mr. Athelny’s is welcome. Mr. Athelny shows the ceiling to all his friends. And it don’t matter what we’re doing, if we’re in bed or if I’m ’aving a wash, in ’e comes.”
Philip could see that they looked upon Athelny as a little queer; but they liked him none the less and they listened open-mouthed while he discoursed with his impetuous fluency on the beauty of the seventeenth-century ceiling.
“What a crime to pull this down, eh, Hodgson? You’re an influential citizen, why don’t you write to the papers and protest?”
The man in shirt sleeves gave a laugh and said to Philip:
“Mr. Athelny will ’ave his little joke. They do say these ’ouses are that insanitory, it’s not safe to live in them.”
“Sanitation be damned, give me art,” cried Athelny. “I’ve got nine children and they thrive on bad drains. No, no, I’m not going to take any risk. None of your new-fangled notions for me! When I move from here I’m going to make sure the drains are bad before I take anything.”
There was a knock at the door, and a little fair-haired girl opened it.
“Daddy, mummy says, do stop talking and come and eat your dinner.”
“This is my third daughter,” said Athelny, pointing to her with a dramatic forefinger. “She is called Maria del Pilar, but she answers more willingly to the name of Jane. Jane, your nose wants blowing.”
“I haven’t got a hanky, daddy.”
“Tut, tut, child,” he answered, as he produced a vast, brilliant bandanna, “what do you suppose the Almighty gave you fingers for?”