To this piteous tale of the three very sensitive queens Tawney appends the following note:  Rohde, in his “Greichische Novellistik,” p. 62, compares with this a story told by Timaeus, of a Sybarite who saw a husbandman hoeing a field, and contracted rupture from it.  Another Sybarite, to whom he told the tale of his sad mishap, got ear-ache from hearing it.  Oesterley, in his German translation of the Baital Pachisi, points out that Grimm, in his “Kindermarchen,” iii. p. 238, quotes a similar incident from the travels of the Three sons of Giaffar:  out of four princesses, one faints because a rose-twig is thrown into her face among some roses; a second shuts her eyes in order not to see the statue of a man; a third says, “Go away; the hairs in your fur cloak run into me;” and the fourth covers her face, fearing that some of the fish in a tank may belong to the male sex.  He also quotes a striking parallel from the “Elites des contes du Sieur d’Onville:”  Four ladies dispute as to which of them is the most delicate.  One has been lame for three months owing to a rose-leaf having fallen on her foot; another has had three ribs broken by a sheet in her bed having been crumpled; a third has held her head on one side for six weeks owing to one half of her head having three more hairs on it than the other; a fourth has broken a blood-vessel by a slight movement, and the rupture cannot be healed without breaking the whole limb.[Poor things!]

The prince who fell in love with the picture.—­Vol.  XI. p. 153.

In the Persian tales of “The Thousand and One Days,” a young prince entered his father’s treasury one day, and saw there a little cedar chest “set with pearls, diamonds, emeralds, and topazes;” on opening it (for the key was in the lock) he beheld the picture of an exceedingly beautiful woman, with whom he immediately fell in love.  Ascertaining the name of the lady from an inscription on the back of the portrait, he set off with a companion to discover her, and having been told by an old man at Baghdad that her father at one reigned in Ceylon, he continued his journey thither, encountering many unheard-of adventures by the way.  Ultimately he is informed that the lady with whose portrait he had become enamoured was one of the favourites of King Solomon.  One should suppose that his would have effectually cured the love-sick prince; but no:  he “could never banish her sweet image from his heart."[FN#508]

Two instances of falling in love with the picture of a pretty woman occur in the “Katha Sarit Sagara.”  In Book ix., chap. 51, a painter shows King Prithvirupa the “counterfeit presentment” of the beauteous Princess Rapalata, and “as the king gazed on it his eye was drowned in that sea of beauty her person, so that he could not draw it out again.  For the king, whose longing was excessive, could not be satisfied with devouring her form, which