He could have put the case to the guide himself; but though the guide was imaginably liberated to a cosmopolitan conception of things by three years’ service as waiter in English hotels, where he learned the language, he might not have risen to this. He would have tried, for he was a willing and kindly soul, though he was not a ‘valet de place’ by profession. There seemed in fact but one of that useless and amusing race (which is everywhere falling into decay through the rivalry of the perfected Baedeker,) left in Leipsic, and this one was engaged, so that the Marches had to devolve upon their ex-waiter, who was now the keeper of a small restaurant. He gladly abandoned his business to the care of his wife, in order to drive handsomely about in his best clothes, with strangers who did not exact too much knowledge from him. In his zeal to do something he possessed himself of March’s overcoat when they dismounted at their first gallery, and let fall from its pocket his prophylactic flask of brandy, which broke with a loud crash on the marble floor in the presence of several masterpieces, and perfumed the whole place. The masterpieces were some excellent works of Luke Kranach, who seemed the only German painter worth looking at when there were any Dutch or Italian pictures near, but the travellers forgot the name and nature of the Kranachs, and remembered afterwards only the shattered fragments of the brandy-flask, just how they looked on the floor, and the fumes, how they smelt, that rose from the ruin.
It might have been a warning protest of the veracities against what they were doing; but the madness of sight-seeing, which spoils travel, was on them, and they delivered themselves up to it as they used in their ignorant youth, though now they knew its futility so well. They spared themselves nothing that they had time for, that day, and they felt falsely guilty for their omissions, as if they really had been duties to art and history which must be discharged, like obligations to one’s maker and one’s neighbor.