’In the Bierhauagarten I linger
        By the Falls of the Geneses: 
        From the Table-Rock in the middle
        Leaps a figure bold and free.

        Aloof in the air it rises
        O’er the rush, the plunge, the death;
        On the thronging banks of the river
        There is neither pulse nor breath.

        Forever it hovers and poises
        Aloof in the moonlit air;
        As light as mist from the rapids,
        As heavy as nightmare.

        In anguish I cry to the people,
        The long-since vanished hosts;
        I see them stretch forth in answer,
        The helpless hands of ghosts.’”

“I once met the poet who wrote this.  He drank too much beer.”

“I don’t see that he got in the name of Sam Patch, after all,” said Isabel.

“O yes; he did; but I had to yield to our taste, and where he said, I ‘Springt der Sam Patsch kuhn and frei’,’ I made it ’Leaps a figure bold and free.’”

As they passed through the house on their way out, they saw the youth and maiden they had met at the pavilion door.  They were seated at a table; two glasses of beer towered before them; on their plates were odorous crumbs of Limburger cheese.  They both wore a pensive air.

The next morning the illusion that had wrapt the whole earth was gone with the moonlight.  By nine o’clock, when the wedding-journeyers resumed their way toward Niagara, the heat had already set in with the effect of ordinary midsummer’s heat at high noon.  The car into which they got had come the past night from Albany, and had an air of almost conscious shabbiness, griminess, and over-use.  The seats were covered with cinders, which also crackled under foot.  Dust was on everything, especially the persons of the crumpled and weary passengers of overnight.  Those who came aboard at Rochester failed to lighten the spiritual gloom, and presently they sank into the common bodily wretchedness.  The train was somewhat belated, and as it drew nearer Buffalo they knew the conductor to have abandoned himself to that blackest of the arts, making time.  The long irregular jolt of the ordinary progress was reduced to an incessant shudder and a quick lateral motion.  The air within the cars was deadly; if a window was raised, a storm of dust and cinders blew in and quick gusts caught away the breath.  So they sat with closed windows, sweltering and stifling, and all the faces on which a lively horror was not painted were dull and damp with apathetic misery.

The incidents were in harmony with the abject physical tone of the company.  There was a quarrel between a thin, shrill-voiced, highly dressed, much-bedizened Jewess, on the one side, and a fat, greedy old woman, half asleep, and a boy with large pink transparent ears that stood out from his head like the handles of a jar, on the other side, about a seat which the Hebrew wanted, and which the others had kept filled with packages on the pretense that it was engaged.  It was a loud and fierce quarrel enough, but it won no sort of favor; and when the Jewess had given a final opinion that the greedy old woman was no lady, and the boy, who disputed in an ironical temper, replied, “Highly complimentary, I must say,” there was no sign of relief or other acknowledgment in any of the spectators, that there had been a quarrel.