“The coaches! the coaches!” exclaimed the crowd, all with one voice.

Forced to stop in the midst of the maskers, Mother Bunch had not lost a word of this conversation, which was deeply painful to her, as it concerned her sister, whom she had not seen for a long time.  Not that the Bacchanal Queen had a bad heart; but the sight of the wretched poverty of Mother Bunch—­a poverty which she had herself shared, but which she had not had the strength of mind to bear any longer—­caused such bitter grief to the gay, thoughtless girl, that she would no more expose herself to it, after she had in vain tried to induce her sister to accept assistance, which the latter always refused, knowing that its source could not be honorable.

“The coaches! the coaches!” once more exclaimed the crowd, as they pressed forward with enthusiasm, so that Mother Bunch, carried on against her will, was thrust into the foremost rank of the people assembled to see the show.

It was, indeed, a curious sight.  A man on horseback, disguised as a postilion, his blue jacket embroidered with silver, and enormous tail from which the powder escaped in puffs, and a hat adorned with long ribbons, preceded the first carriage, cracking his whip, and crying with all his might:  “Make way for the Bacchanal Queen and her court!”

In an open carriage, drawn by four lean horses, on which rode two old postilions dressed as devils, was raised a downright pyramid of men and women, sitting, standing, leaning, in every possible variety of odd, extravagant, and grotesque costume; altogether an indescribable mass of bright colors, flowers, ribbons, tinsel and spangles.  Amid this heap of strange forms and dresses appeared wild or graceful countenances, ugly or handsome features—­but all animated by the feverish excitement of a jovial frenzy—­all turned with an expression of fanatical admiration towards the second carriage, in which the Queen was enthroned, whilst they united with the multitude in reiterated shouts of “Long live the Bacchanal Queen.”

This second carriage, open like the first, contained only the four dancers of the famous step of the Storm-blown Tulip—­Ninny Moulin, Rose Pompon, Sleepinbuff, and the Bacchanal Queen.

Dumoulin, the religious writer, who wished to dispute possession of Mme. de la Sainte-Colombe with his patron, M. Rodin—­Dumoulin, surnamed Ninny Moulin, standing on the front cushions, would have presented a magnificent study for Callot or Gavarni, that eminent artist, who unites with the biting strength and marvellous fancy of an illustrious caricaturist, the grace, the poetry, and the depth of Hogarth.