The clock struck eight.  The dull sound of the knocker at the outer door was heard, then a bell tinkled twice, several doors opened and shut, and a new personage entered the chamber.  On seeing him, M. Rodin rose from the desk, stuck his pen between his teeth, bowed with a deeply submissive air, and sat down again to his work without uttering a word.

The two formed a striking contrast to one another.  The newcomer, though really older than he seemed, would have passed for thirty-six or thirty eight years of age at most.  His figure was tall and shapely, and few could have encountered the brightness of his large gray eye, brilliant as polished steel.  His nose, broad at the commencement, formed a well-cut square at its termination; his chin was prominent, and the bluish tints of his close-shaved beard were contrasted with the bright carnation of his lips, and the whiteness of his fine teeth.  When he took off his hat to change it for a black velvet cap which he found on the small table, he displayed a quantity of light chestnut hair, not yet silvered by time.  He was dressed in a long frock-coat, buttoned up to the neck in military fashion.

The piercing glance and broad forehead of this man revealed a powerful intellect, even as the development of his chest and shoulders announced a vigorous physical organization; whilst his gentlemanly appearance, the perfection of his gloves and boots, the light perfume which hung about his hair and person, the grace and ease of his least movements, betrayed what is called the man of the world, and left the impression that he had sought or might still seek every kind of success, from the most frivolous to the most serious.  This rare combination of strength of mind, strength of body, and extreme elegance of manners, was in this instance rendered still more striking by the circumstance, that whatever there might be of haughtiness or command in the upper part of that energetic countenance, was softened down, and tempered by a constant but not uniform smile—­for, as occasion served, this smile became either kind or sly, cordial or gay, discreet or prepossessing, and thus augmented the insinuating charm of this man, who, once seen, was never again forgotten.  But, in yielding to this involuntary sympathy, the doubt occurred if the influence was for good—­or for evil.

M. Rodin, the secretary of the newcomer, continued to write.

“Are there any letters from Dunkirk, Rodin?” inquired his master.

“Post not yet in.”

“Without being positively uneasy as to my mother’s health, since she was already convalescent,” resumed the other, “I shall only be quite reassured by a letter from my excellent friend, the Princess de Saint Dizier.  I shall have good news this morning, I hope.”

“It is to be desired,” said the secretary, as humble and submissive as he was laconic and impassible.

“Certainly it is to be desired,” resumed his master; “for one of the brightest days of my life was when the Princess de Saint-Dizier announced to me that this sudden and dangerous illness had yielded to the care and attention with which she surrounds my mother.  Had it not been for that I must have gone down to her instantly, though my presence here is very necessary.”