One day there thundered down in a vehicle the old Baron von Stalkenberg.  The old chief had come to pay a visit of ceremony to the Crosbys.  And the host of the Ludwig Bad, as he appeared himself to marshal this chieftain to their saloon, bowed his body low with every step.

“Room there, room there, for the mighty Baron von Stalkenberg.”

The mighty baron had come to invite them to a feast at his castle, where no feast had ever been made so grand before as this would be; and Otto had carte blanche to engage other distinguished sojourners at Stalkenberg, English, French, and natives, who had been civil to him.  Mrs. Crosby’s head was turned.

And now, I ask you, knowing as you do our national notions, was it not enough to turn it?  You will not, then, be surprised to hear that when, some days subsequent to the feast, the Count Otto von Stalkenberg laid his proposals at Helena’s feet, they were not rejected.

Helena Crosby rushed into her governess’s room.

“Madam!  Madam!  Only think.  I am going to be married!”

Madam lifted her pale, sad face—­a very sad and pale face was hers.

“Indeed!” she gently uttered.

“And my studies are to be over from to-day, Mamma says so.”

“You are over young to marry, Helena.”

“Now don’t you bring up that, madam.  It is just what papa is harping upon,” returned Miss Helena.

“It is to Count Otto?” And it may be remarked that the governess’s English was perfect, although the young lady addressed her as “Madam.”

“Count Otto, of course.  As if I would marry anybody else!”

Look at the governess, reader, and see whether you know her.  You will say “No.”  But you do, for it is Lady Isabel Vane.  But how strangely she is altered!  Yes, the railway accident did that for her, and what the accident left undone, grief and remorse accomplished.  She limps as she walks, and slightly stoops, taken from her former height.  A scar extends from her chin above her mouth, completely changing the character of the lower part of her face; some of her teeth are missing, so that she speaks with a lisp, and the sober bands of her gray hair—­it is nearly silver—­are confined under a large and close cap.  She herself tries to make the change greater, so that all chance of being recognized may be at an end, and for that reason she wears disfiguring spectacles, and a broad band of gray velvet, coming down low upon her forehead.  Her dress, too, is equally disfiguring.  Never is she seen in one that fits her person, but in those frightful “loose jackets,” which must surely have been invented by somebody envious of a pretty shape.  As to her bonnet, it would put to shame those masquerade things tilted on to the back of the head, for it actually shaded her face; and she was never seen out without a thick veil.  She was pretty easy upon the score of being recognized now; for Mrs. Ducie and her daughters