“Every shepherd tells his tale
  Under the hawthorn in the dale!”

(I will have it love-tale, in spite of Warton’s comment.) But I suppose it does not make so much difference, for love transmutes the fruit in Huldy’s lap into the apples of the Hesperides.

In this way it is that the associations with the poetry we remember come up when we find ourselves surrounded by English scenery.  The great poets build temples of song, and fill them with images and symbols which move us almost to adoration; the lesser minstrels fill a panel or gild a cornice here and there, and make our hearts glad with glimpses of beauty.  I felt all this as I looked around and saw the hawthorns in full bloom, in the openings among the oaks and other trees of the forest.  Presently I heard a sound to which I had never listened before, and which I have never heard since:—­

Coooo—­coooo!

Nature had sent one cuckoo from her aviary to sing his double note for me, that I might not pass away from her pleasing show without once hearing the call so dear to the poets.  It was the last day of spring.  A few more days, and the solitary voice might have been often heard; for the bird becomes so common as to furnish Shakespeare an image to fit “the skipping king:”—­

  “He was but as the cuckoo is in June,
  Heard, not regarded.”

For the lyric poets the cuckoo is “companion of the spring,” “darling of the spring;” coming with the daisy, and the primrose, and the blossoming sweet-pea.  Where the sound came from I could not tell; it puzzled Wordsworth, with younger eyes than mine, to find whence issued

     “that cry
  Which made me look a thousand ways
  In bush, and tree, and sky.”

Only one hint of the prosaic troubled my emotional delight:  I could not help thinking how capitally the little rogue imitated the cuckoo clock, with the sound of which I was pretty well acquainted.

On our return from Windsor we had to get ready for another great dinner with our Minister, Mr. Phelps.  As we are in the habit of considering our great officials as public property, and as some of my readers want as many glimpses of high life as a decent regard to republican sensibilities will permit, I will borrow a few words from the diary to which I have often referred:—­

“The Princess Louise was there with the Marquis, and I had the best opportunity of seeing how they receive royalty at private houses.  Mr. and Mrs. Phelps went down to the door to meet her the moment she came, and then Mr. Phelps entered the drawing-room with the Princess on his arm, and made the tour of the room with her, she bowing and speaking to each one of us.  Mr. Goschen took me in to dinner, and Lord Lorne was on my other side.  All of the flowers were of the royal color, red.  It was a grand dinner....  The Austrian Ambassador, Count Karoli, took Mrs. Phelps in [to dinner], his position being higher than that of even the Duke [of Argyll], who sat upon her right.”