The Entire Project Gutenberg Works of Mark Twain eBook

This eBook from the Gutenberg Project consists of approximately 714 pages of information about The Entire Project Gutenberg Works of Mark Twain.

The Entire Project Gutenberg Works of Mark Twain eBook

This eBook from the Gutenberg Project consists of approximately 714 pages of information about The Entire Project Gutenberg Works of Mark Twain.

It was a beautiful picture—­very soft and dreamy and beautiful.  But what was this Venice to compare with the Venice of midnight?  Nothing.  There was a fete—­a grand fete in honor of some saint who had been instrumental in checking the cholera three hundred years ago, and all Venice was abroad on the water.  It was no common affair, for the Venetians did not know how soon they might need the saint’s services again, now that the cholera was spreading every where.  So in one vast space—­say a third of a mile wide and two miles long—­were collected two thousand gondolas, and every one of them had from two to ten, twenty and even thirty colored lanterns suspended about it, and from four to a dozen occupants.  Just as far as the eye could reach, these painted lights were massed together —­like a vast garden of many-colored flowers, except that these blossoms were never still; they were ceaselessly gliding in and out, and mingling together, and seducing you into bewildering attempts to follow their mazy evolutions.  Here and there a strong red, green, or blue glare from a rocket that was struggling to get away, splendidly illuminated all the boats around it.  Every gondola that swam by us, with its crescents and pyramids and circles of colored lamps hung aloft, and lighting up the faces of the young and the sweet-scented and lovely below, was a picture; and the reflections of those lights, so long, so slender, so numberless, so many-colored and so distorted and wrinkled by the waves, was a picture likewise, and one that was enchantingly beautiful.  Many and many a party of young ladies and gentlemen had their state gondolas handsomely decorated, and ate supper on board, bringing their swallow-tailed, white-cravatted varlets to wait upon them, and having their tables tricked out as if for a bridal supper.  They had brought along the costly globe lamps from their drawing-rooms, and the lace and silken curtains from the same places, I suppose.  And they had also brought pianos and guitars, and they played and sang operas, while the plebeian paper-lanterned gondolas from the suburbs and the back alleys crowded around to stare and listen.

There was music every where—­choruses, string bands, brass bands, flutes, every thing.  I was so surrounded, walled in, with music, magnificence and loveliness, that I became inspired with the spirit of the scene, and sang one tune myself.  However, when I observed that the other gondolas had sailed away, and my gondolier was preparing to go overboard, I stopped.

The fete was magnificent.  They kept it up the whole night long, and I never enjoyed myself better than I did while it lasted.

What a funny old city this Queen of the Adriatic is!  Narrow streets, vast, gloomy marble palaces, black with the corroding damps of centuries, and all partly submerged; no dry land visible any where, and no sidewalks worth mentioning; if you want to go to church, to the theatre, or to the restaurant, you must call a gondola.  It must be a paradise for cripples, for verily a man has no use for legs here.

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The Entire Project Gutenberg Works of Mark Twain from Project Gutenberg. Public domain.