Clemens got well settled down to work presently. He found the situation, the climate, the background, entirely suited to literary production, and in a little while he had accomplished more than at any other time since his arrival in Europe. From letters to Mrs. Crane and to Mr. Hall we learn something of his employments and his satisfaction.
To Mrs. Crane, in Elmira:
&nb
sp; VillaViviani
Settignano,
Florence. Oct. 22, ’92.
Dear sue,—We are getting wonted.
The open fires have driven away the cold and the
doubt, and now a cheery spirit pervades the place.
Livy and the Kings and Mademoiselle having been taking
their tea a number of times, lately, on the open terrace
with the city and the hills and the sunset for company.
I stop work, a few minutes, as a rule, when the sun
gets down to the hilltops west of Florence, and join
the tea-group to wonder and exclaim. There is
always some new miracle in the view, a new and exquisite
variation in the show, a variation which occurs every
15 minutes between dawn and night. Once early
in the morning, a multitude of white villas not before
perceived, revealed themselves on the far hills; then
we recognized that all those great hills are snowed
thick with them, clear to the summit.
The variety of lovely effects, the infinitude of change, is something not to be believed by any who has not seen it. No view that I am acquainted with in the world is at all comparable to this for delicacy, charm, exquisiteness, dainty coloring, and bewildering rapidity of change. It keeps a person drunk with pleasure all the time. Sometimes Florence ceases to be substantial, and becomes just a faint soft dream, with domes and towers of air, and one is persuaded that he might blow it away with a puff of his breath.
Livy is progressing admirably. This is just the place for her.
[Remainder missing.]
To Fred J. Hall, in New York:
Dec.
12, ’92.
Dear Mr. Hall,—November
check received.
I have lent the Californian’s Story to Arthur Stedman for his Author Club Book, so your suggestion that my new spring-book bear that name arrives too late, as he probably would not want us to use that story in a book of ours until the Author book had had its run. That is for him to decide —and I don’t want him hampered at all in his decision. I, for my part, prefer the “$1,000,000 Banknote and Other Stories” by Mark Twain as a title, but above my judgment I prefer yours. I mean this—it is not taffy.
I told Arthur to leave out the former squib or paragraph and use only the Californian’s Story. Tell him this is because I am going to use that in the book I am now writing.
I finished “Those Extraordinary Twins” night before last makes 60 or 80,000 words—haven’t counted.