To W. D. Howells, in Boston:
Sunday, Oct. 2 ’80. My dear Howells,—Here’s a letter which I wrote you to San Francisco the second time you didn’t go there.... I told Soule he needn’t write you, but simply send the Ms. to you. O dear, dear, it is dreadful to be an unrecognized poet. How wise it was in Charles Warren Stoddard to take in his sign and go for some other calling while still young.
I’m laying for that Encyclopedical Scotchman—and
he’ll need to lock the door behind him, when
he comes in; otherwise when he hears my proposed tariff
his skin will probably crawl away with him. He
is accustomed to seeing the publisher impoverish the
author—that spectacle must be getting stale
to him—if he contracts with the undersigned
he will experience a change in that programme that
will make the enamel peel off his teeth for very surprise—and
joy. No, that last is what Mrs. Clemens thinks—but
it’s not so. The proposed work is growing,
mightily, in my estimation, day by day; and I’m
not going to throw it away for any mere trifle.
If I make a contract with the canny Scot, I will then
tell him the plan which you and I have devised (that
of taking in the humor of all countries)—otherwise
I’ll keep it to myself, I think. Why should
we assist our fellowman for mere love of God?
Yrs
ever
mark.
One wishes that Howells might have found value enough in the verses of Frank Soule to recommend them to Osgood. To Clemens he wrote: “You have touched me in regard to him, and I will deal gently with his poetry. Poor old fellow! I can imagine him, and how he must have to struggle not to be hard or sour.”
The verdict, however,
was inevitable. Soule’s graceful verses
proved to be not poetry
at all. No publisher of standing could
afford to give them
his imprint.
The “Encyclopedical Scotchman” mentioned in the preceding letter was the publisher Gebbie, who had a plan to engage Howells and Clemens to prepare some sort of anthology of the world’s literature. The idea came to nothing, though the other plan mentioned—for a library of humor—in time grew into a book.
Mark Twain’s contracts with Bliss for the publication of his books on the subscription plan had been made on a royalty basis, beginning with 5 per cent. on ‘The Innocents Abroad’ increasing to 7 per cent. on ‘Roughing It,’ and to 10 per cent. on later books. Bliss had held that these later percentages fairly represented