But I will gladly send it to you if you will do as follows:  dramatize it, if you perceive that you can, and take, for your remuneration, half of the first $6000 which I receive for its representation on the stage.  You could alter the plot entirely, if you chose.  I could help in the work, most cheerfully, after you had arranged the plot.  I have my eye upon two young girls who can play “Tom” and “Huck.”  I believe a good deal of a drama can be made of it.  Come—­can’t you tackle this in the odd hours of your vacation? or later, if you prefer?

I do wish you could come down once more before your holiday.  I’d give
anything! 
                    Yrs ever,
                              Mark.

Howells wrote that he had no time for the dramatization and urged Clemens to undertake it himself.  He was ready to read the story, whenever it should arrive.  Clemens did not hurry, however, The publication of Tom Sawyer could wait.  He already had a book in press—­the volume of Sketches New and Old, which he had prepared for Bliss several years before.

Sketches was issued that autumn, and Howells gave it a good notice —­possibly better than it deserved.

Considered among Mark Twain’s books to-day, the collection of sketches does not seem especially important.  With the exception of the frog story and the “True Story” most of those included—­might be spared.  Clemens himself confessed to Howells that He wished, when it was too late, that he had destroyed a number of them.  The book, however, was distinguished in a special way:  it contains Mark Twain’s first utterance in print on the subject of copyright, a matter in which he never again lost interest.  The absurdity and injustice of the copyright laws both amused and irritated him, and in the course of time he would be largely instrumental in their improvement.  In the book his open petition to Congress that all property rights, as well as literary ownership, should be put on the copyright basis and limited to a “beneficent term of forty-two years,” was more or less of a joke, but, like so many of Mark Twain’s jokes, it was founded on reason and justice.

He had another idea, that was not a joke:  an early plan in the direction of international copyright.  It was to be a petition signed by the leading American authors, asking the United States to declare itself to be the first to stand for right and justice by enacting laws against the piracy of foreign books.  It was a rather utopian scheme, as most schemes for moral progress are, in their beginning.  It would not be likely ever to reach Congress, but it would appeal to Howells and his Cambridge friends.  Clemens wrote, outlining his plan of action.

To W. D. Howells, in Boston: