A COUPLE OF SAD EXPERIENCES

When I published a squib recently in which I said I was going to edit an Agricultural Department in this magazine, I certainly did not desire to deceive anybody.  I had not the remotest desire to play upon any one’s confidence with a practical joke, for he is a pitiful creature indeed who will degrade the dignity of his humanity to the contriving of the witless inventions that go by that name.  I purposely wrote the thing as absurdly and as extravagantly as it could be written, in order to be sure and not mislead hurried or heedless readers:  for I spoke of launching a triumphal barge upon a desert, and planting a tree of prosperity in a mine—­a tree whose fragrance should slake the thirst of the naked, and whose branches should spread abroad till they washed the chorea of, etc., etc.  I thought that manifest lunacy like that would protect the reader.  But to make assurance absolute, and show that I did not and could not seriously mean to attempt an Agricultural Department, I stated distinctly in my postscript that I did not know anything about Agriculture.  But alas! right there is where I made my worst mistake—­for that remark seems to have recommended my proposed Agriculture more than anything else.  It lets a little light in on me, and I fancy I perceive that the farmers feel a little bored, sometimes, by the oracular profundity of agricultural editors who “know it all.”  In fact, one of my correspondents suggests this (for that unhappy squib has deluged me with letters about potatoes, and cabbages, and hominy, and vermicelli, and maccaroni, and all the other fruits, cereals, and vegetables that ever grew on earth; and if I get done answering questions about the best way of raising these things before I go raving crazy, I shall be thankful, and shall never write obscurely for fun any more).

Shall I tell the real reason why I have unintentionally succeeded in fooling so many people?  It is because some of them only read a little of the squib I wrote and jumped to the conclusion that it was serious, and the rest did not read it at all, but heard of my agricultural venture at second-hand.  Those cases I could not guard against, of course.  To write a burlesque so wild that its pretended facts will not be accepted in perfect good faith by somebody, is, very nearly an impossible thing to do.  It is because, in some instances, the reader is a person who never tries to deceive anybody himself, and therefore is not expecting any one to wantonly practise a deception upon him; and in this case the only person dishonoured is the man who wrote the burlesque.  In other instances the “nub” or moral of the burlesque—­if its object be to enforce a truth—­escapes notice in the superior glare of something in the body of the burlesque itself.  And very often this “moral” is tagged on at the bottom, and the reader, not knowing that it is the key of the