“While on the road, Slade held absolute sway.  He would ride down to a station, get into a quarrel, turn the house out of windows, and maltreat the occupants most cruelly.  The unfortunates had no means of redress, and were compelled to recuperate as best they could.”

On one of these occasions, it is said he killed the father of the fine little half-breed boy Jemmy, whom he adopted, and who lived with his widow after his execution.  Stories of Slade’s hanging men, and of innumerable assaults, shootings, stabbings and beatings, in which he was a principal actor, form part of the legends of the stage line.  As for minor quarrels and shootings, it is absolutely certain that a minute history of Slade’s life would be one long record of such practices.

Slade was a matchless marksman with a navy revolver.  The legends say that one morning at Rocky Ridge, when he was feeling comfortable, he saw a man approaching who had offended him some days before—­observe the fine memory he had for matters like that—­and, “Gentlemen,” said Slade, drawing, “it is a good twenty-yard shot—­I’ll clip the third button on his coat!” Which he did.  The bystanders all admired it.  And they all attended the funeral, too.

On one occasion a man who kept a little whisky-shelf at the station did something which angered Slade—­and went and made his will.  A day or two afterward Slade came in and called for some brandy.  The man reached under the counter (ostensibly to get a bottle—­possibly to get something else), but Slade smiled upon him that peculiarly bland and satisfied smile of his which the neighbors had long ago learned to recognize as a death-warrant in disguise, and told him to “none of that!—­pass out the high-priced article.”  So the poor bar-keeper had to turn his back and get the high-priced brandy from the shelf; and when he faced around again he was looking into the muzzle of Slade’s pistol.  “And the next instant,” added my informant, impressively, “he was one of the deadest men that ever lived.”

The stage-drivers and conductors told us that sometimes Slade would leave a hated enemy wholly unmolested, unnoticed and unmentioned, for weeks together—­had done it once or twice at any rate.  And some said they believed he did it in order to lull the victims into unwatchfulness, so that he could get the advantage of them, and others said they believed he saved up an enemy that way, just as a schoolboy saves up a cake, and made the pleasure go as far as it would by gloating over the anticipation.  One of these cases was that of a Frenchman who had offended Slade.  To the surprise of everybody Slade did not kill him on the spot, but let him alone for a considerable time.  Finally, however, he went to the Frenchman’s house very late one night, knocked, and when his enemy opened the door, shot him dead—­pushed the corpse inside the door with his foot, set the house on fire and burned up the dead man, his widow and three children!  I heard this story from several different people, and they evidently believed what they were saying.  It may be true, and it may not.  “Give a dog a bad name,” etc.