prolonged stay in Vienna in 1835, and the three women remained friends throughout their lives.  The Countess Loulou was a canoness, and Balzac met her while visiting in Vienna; he admired her for herself as well as for her friendship for his Chatelaine.  Her brother-in-law, Prince Razumofsky, wished Balzac to secure him a reader at Paris, but since there was limitation as to the price, he had some trouble in finding a suitable one.  This made a correspondence with the Countess necessary, as it was she who made the request; but Madame Hanska was not only willing that Balzac should write to her but sent him her address and they exchanged messages frequently about the canoness.

In 1842, Une double Famille, a story written in 1830, was dedicated: 

“To Madame la Comtesse de Turheim

“As a token of remembrance and affectionate respect.

“DE BALZAC.”

The Countess de Bocarme, nee du Chasteler, was an artist who helped Balzac by painting in water-colors the portraits of her uncle, the field-marshal, and Andreas Hofer; he wished these in order to be able to depict the heroes of the Tyrol in the campaign of 1809.  She painted also the entire armorial for the Etudes de Moeurs; this consisted of about one hundred armorial bearings, and was a masterpiece.  She promised to paint his study at Passy in water-colors, which was to be a souvenir for Madame Hanska of the place where he was to finish paying his debts.  All this pleased the novelist greatly, but she presented him with one gift which he considered as in bad taste.  This was a sort of monument with a muse crowning him, another writing on a folio:  Comedie humaine, with Divo Balzac above.

Madame de Bocarme had been reared in a convent with a niece of Madame Rosalie Rzewuska, had traveled much, and was rather brilliant in describing what she had seen.  She visited Balzac while he was living aux Jardies.  She was a great friend of the Countess Chlendowska, whose husband was Balzac’s bookseller, and the novelist counted on her to lend the money for one of his business schemes.  Being fond of whist, she took Madame Chlendowska to Balzac’s house during his illness of a few weeks, and they entertained him by playing cards with him.

Balzac called her Bettina, and after she left Paris for the Chateau de Bury in Belgium, he took his housekeeper, Madame de Brugnolle, to visit her.  Madame de Chlendowska was there also, but he did not care for her especially, as she pretended to know too much about his intimacy with his “polar star.”  Madame de Bocarme had one fault that annoyed him very much; she, too, was inclined to gossip about his association with Madame Hanska.

In 1843, Balzac erased from Le Colonel Chabert the dedication to M. de Custine, and replaced it by one to Madame la Comtesse Ida de Bocarme, nee du Chasteler.