“These are the Lines that show thy face:  but those
    That show thy Grace and Glory brighter bee: 
    Thy Faire Discoveries and Fowle-Overthrowes
    Of Salvages, much Civilized by thee
    Best shew thy Spirit; and to it Glory Wyn;
    So, thou art Brasse without, but Golde within,
    If so, in Brasse (too soft smiths Acts to beare)
    I fix thy Fame to make Brasse steele outweare.

“Thine as thou art Virtues
“John Davies, Heref.”

In this engraving Smith is clad in armor, with a high starched collar, and full beard and mustache formally cut.  His right hand rests on his hip, and his left grasps the handle of his sword.  The face is open and pleasing and full of decision.

This “true discourse” contains the wild romance with which this volume opens, and is pieced out with recapitulations of his former writings and exploits, compilations from others’ relations, and general comments.  We have given from it the story of his early life, because there is absolutely no other account of that part of his career.  We may assume that up to his going to Virginia he did lead a life of reckless adventure and hardship, often in want of a decent suit of clothes and of “regular meals.”  That he took some part in the wars in Hungary is probable, notwithstanding his romancing narrative, and he may have been captured by the Turks.  But his account of the wars there, and of the political complications, we suspect are cribbed from the old chronicles, probably from the Italian, while his vague descriptions of the lands and people in Turkey and “Tartaria” are evidently taken from the narratives of other travelers.  It seems to me that the whole of his story of his oriental captivity lacks the note of personal experience.  If it were not for the “patent” of Sigismund (which is only produced and certified twenty years after it is dated), the whole Transylvania legend would appear entirely apocryphal.

The “True Travels” close with a discourse upon the bad life, qualities, and conditions of pirates.  The most ancient of these was one Collis, “who most refreshed himself upon the coast of Wales, and Clinton and Pursser, his companions, who grew famous till Queen Elizabeth of blessed memory hanged them at Wapping.  The misery of a Pirate (although many are as sufficient seamen as any) yet in regard of his superfluity, you shall find it such, that any wise man would rather live amongst wild beasts, than them; therefore let all unadvised persons take heed how they entertain that quality; and I could wish merchants, gentlemen, and all setters-forth of ships not to be sparing of a competent pay, nor true payment; for neither soldiers nor seamen can live without means; but necessity will force them to steal, and when they are once entered into that trade they are hardly reclaimed.”

Smith complains that the play-writers had appropriated his adventures, but does not say that his own character had been put upon the stage.  In Ben Jonson’s “Staple of News,” played in 1625, there is a reference to Pocahontas in the dialogue that occurs between Pick-lock and Pennyboy Canter: