The Complete Project Gutenberg Writings of Charles Dudley Warner eBook

This eBook from the Gutenberg Project consists of approximately 3,672 pages of information about The Complete Project Gutenberg Writings of Charles Dudley Warner.

The Complete Project Gutenberg Writings of Charles Dudley Warner eBook

This eBook from the Gutenberg Project consists of approximately 3,672 pages of information about The Complete Project Gutenberg Writings of Charles Dudley Warner.
rusty suits, thin, with a deprecatory manner, as if they had heard that clatter for fifty years, and perky, sharp-faced girls in vegetable hats, all long-nosed and thin-lipped.  And though the day was cool, mosquitoes had the bad taste to invade the train.  At the junction, a small collection of wooden shanties, where the travelers waited an hour, they heard much of the glories of Atlantic City from the postmistress, who was waiting for an excursion some time to go there (the passion for excursions seems to be a growing one), and they made the acquaintance of a cow tied in the room next the ticket-office, probably also waiting for a passage to the city by the sea.

And a city it is.  If many houses, endless avenues, sand, paint, make a city, the artist confessed that this was one.  Everything is on a large scale.  It covers a large territory, the streets run at right angles, the avenues to the ocean take the names of the states.  If the town had been made to order and sawed out by one man, it could not be more beautifully regular and more satisfactorily monotonous.  There is nothing about it to give the most commonplace mind in the world a throb of disturbance.  The hotels, the cheap shops, the cottages, are all of wood, and, with three or four exceptions in the thousands, they are all practically alike, all ornamented with scroll-work, as if cut out by the jig-saw, all vividly painted, all appealing to a primitive taste just awakening to the appreciation of the gaudy chromo and the illuminated and consoling household motto.  Most of the hotels are in the town, at considerable distance from the ocean, and the majestic old sea, which can be monotonous but never vulgar, is barricaded from the town by five or six miles of stark-naked plank walk, rows on rows of bath closets, leagues of flimsy carpentry-work, in the way of cheap-John shops, tin-type booths, peep-shows, go-rounds, shooting-galleries, pop-beer and cigar shops, restaurants, barber shops, photograph galleries, summer theatres.  Sometimes the plank walk runs for a mile or two, on its piles, between rows of these shops and booths, and again it drops off down by the waves.  Here and there is a gayly-painted wooden canopy by the shore, with chairs where idlers can sit and watch the frolicking in the water, or a space railed off, where the select of the hotels lie or lounge in the sand under red umbrellas.  The calculating mind wonders how many million feet of lumber there are in this unpicturesque barricade, and what gigantic forests have fallen to make this timber front to the sea.  But there is one thing man cannot do.  He has made this show to suit himself, he has pushed out several iron piers into the sea, and erected, of course, a skating rink on the end of one of them.  But the sea itself, untamed, restless, shining, dancing, raging, rolls in from the southward, tossing the white sails on its vast expanse, green, blue, leaden, white-capped, many-colored, never two minutes the same, sounding with its eternal voice I knew not what rebuke to man.

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The Complete Project Gutenberg Writings of Charles Dudley Warner from Project Gutenberg. Public domain.