The Complete Project Gutenberg Writings of Charles Dudley Warner eBook

This eBook from the Gutenberg Project consists of approximately 3,672 pages of information about The Complete Project Gutenberg Writings of Charles Dudley Warner.

The Complete Project Gutenberg Writings of Charles Dudley Warner eBook

This eBook from the Gutenberg Project consists of approximately 3,672 pages of information about The Complete Project Gutenberg Writings of Charles Dudley Warner.

“Not exactly,” and Philip laughed; “he will be greatly mistaken.”

“I suppose it is a kind of lottery, like most things.  The publishers have to take risks.  The only harm I wish them is that they were compelled to read all the stuff they try to make us read.  Ah, well.  Mr. Burnett, I hope you have made a hit.  It is pretty much the same thing in our business.  The publisher bulls his own book and bears the other fellow’s.  Is it a New York story?”

“Partly; things come to a focus here, you know.”

“I could give you points.  It’s a devil of a place.  I guess the novelists are too near to see the romance of it.  When I was in Rome I amused myself by diving into the mediaeval records.  Steel and poison were the weapons then.  We have a different method now, but it comes to the same thing, and we say we are more civilized.  I think our way is more devilishly dramatic than the old brute fashion.  Yes, I could give you points.”

“I should be greatly obliged,” said Philip, seeing the way to bring the conversation back to its starting point; “your wide experience of life —­if you had leisure at home some time.”

“Oh,” replied Mavick, with more good-humor in his laugh than he had shown before, “you needn’t beat about the bush.  Have you seen Evelyn?”

“No, not since that dinner at the Van Cortlandts’.”

“Huh! for myself, I should be pleased to see you any time, Mr. Burnett.  Mrs. Mavick hasn’t felt like seeing anybody lately.  But I’ll see, I’ll see.”

The two men rose and shook hands, as men shake hands when they have an understanding.

“I’m glad you are doing well,” Mr. Mavick added; “your life is before you, mine is behind me; that makes a heap of difference.”

Within a few days Philip received a note from Mrs. Mavick—­not an effusive note, not an explanatory note, not an apologetic note, simply a note as if nothing unusual had happened—­if Mr. Burnett had leisure, would he drop in at five o’clock in Irving Place for a cup of tea?

Not one minute by his watch after the hour named, Philip rang the bell and was shown into a little parlor at the front.  There was only one person in the room, a lady in exquisite toilet, who rose rather languidly to meet him, exactly as if the visitor were accustomed to drop in to tea at that hour.

Philip hesitated a moment near the door, embarrassed by a mortifying recollection of his last interview with Mrs. Mavick, and in that moment he saw her face.  Heavens, what a change!  And yet it was a smiling face.

There is a portrait of Carmen by a foreign artist, who was years ago the temporary fashion in New York, painted the year after her second marriage and her return from Rome, which excited much comment at the time.  Philip had seen it in more than one portrait exhibition.

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The Complete Project Gutenberg Writings of Charles Dudley Warner from Project Gutenberg. Public domain.