to the laws of political economy, and to discoveries
in science, and to financial contrivances; so it is
that in the life of generations of men, considered
from an ethical and not from a religious point of
view, the most potent and lasting influence for a
civilization that is worth anything, a civilization
that does not by its own nature work its decay, is
that which I call literature. It is time to define
what we mean by literature. We may arrive at the
meaning by the definition of exclusion. We do
not mean all books, but some books; not all that is
written and published, but only a small part of it.
We do not mean books of law, of theology, of politics,
of science, of medicine, and not necessarily books
of travel, or adventure, or biography, or fiction
even. These may all be ephemeral in their nature.
The term belles-lettres does not fully express it,
for it is too narrow. In books of law, theology,
politics, medicine, science, travel, adventure, biography,
philosophy, and fiction there may be passages that
possess, or the whole contents may possess, that quality
which comes within our meaning of literature.
It must have in it something of the enduring and the
universal. When we use the term art, we do not
mean the arts; we are indicating a quality that may
be in any of the arts. In art and literature
we require not only an expression of the facts in nature
and in human life, but of feeling, thought, emotion.
There must be an appeal to the universal in the race.
It is, for example, impossible for a Christian today
to understand what the religious system of the Egyptians
of three thousand years ago was to the Egyptian mind,
or to grasp the idea conveyed to a Chinaman’s
thought in the phrase, “the worship of the principle
of heaven”; but the Christian of today comprehends
perfectly the letters of an Egyptian scribe in the
time of Thotmes iii., who described the comical
miseries of his campaign with as clear an appeal to
universal human nature as Horace used in his ‘Iter
Brundusium;’ and the maxims of Confucius are
as comprehensible as the bitter-sweetness of Thomas
a Kempis. De Quincey distinguishes between the
literature of knowledge and the literature of power.
The definition is not exact; but we may say that the
one is a statement of what is known, the other is an
emanation from the man himself; or that one may add
to the sum of human knowledge, and the other addresses
itself to a higher want in human nature than the want
of knowledge. We select and set aside as literature
that which is original, the product of what we call
genius. As I have said, the subject of a production
does not always determine the desired quality which
makes it literature. A biography may contain all
the facts in regard to a man and his character, arranged
in an orderly and comprehensible manner, and yet not
be literature; but it may be so written, like Plutarch’s
Lives or Defoe’s account of Robinson Crusoe,
that it is literature, and of imperishable value as