Fashions in Literature eBook

This eBook from the Gutenberg Project consists of approximately 25 pages of information about Fashions in Literature.

Fashions in Literature eBook

This eBook from the Gutenberg Project consists of approximately 25 pages of information about Fashions in Literature.
of it is the product of immature minds, and of a yearning for experience rather than a knowledge of life.  There is no more obligation on the part of the person who would be well informed and cultivated to read all this than there is to read all the colored incidents, personal gossip, accidents, and crimes repeated daily, with sameness of effect, in the newspapers, some of the most widely circulated of which are a composite of the police gazette and the comic almanac.  A great deal of the reading done is mere contagion, one form or another of communicated grippe, and it is consoling and even surprising to know that if you escape the run of it for a season, you have lost nothing appreciable.  Some people, it has been often said, make it a rule never to read a book until it is from one to five years old, By this simple device they escape the necessity of reading most of them, but this is only a part of their gain.  Considering the fact that the world is full of books of the highest value for cultivation, entertainment, and information, which the utmost leisure we can spare from other pressing avocations does not suffice to give us knowledge of, it does seem to be little less than a moral and intellectual sin to flounder about blindly in the flood of new publications.  I am speaking, of course, of the general mass of readers, and not of the specialists who must follow their subjects with ceaseless inquisition.  But for most of us who belong to the still comparatively few who, really read books, the main object of life is not to keep up with the printing-press, any more than it is the main object of sensible people to follow all the extremes and whims of fashion in dress.  When a fashion in literature has passed, we are surprised that it should ever have seemed worth the trouble of studying or imitating.  When the special craze has passed, we notice another thing, and that is that the author, not being of the first rank or of the second, has generally contributed to the world all that he has to give in one book, and our time has been wasted on his other books; and also that in a special kind of writing in a given period—­let us say, for example, the historico-romantic—­we perceive that it all has a common character, is constructed on the same lines of adventure and with a prevailing type of hero and heroine, according to the pattern set by the first one or two stories of the sort which became popular, and we see its more or less mechanical construction, and how easily it degenerates into commercial book-making.  Now while some of this writing has an individual flavor that makes it entertaining and profitable in this way, we may be excused from attempting to follow it all merely because it happens to be talked about for the moment, and generally talked about in a very undiscriminating manner.  We need not in any company be ashamed if we have not read it all, especially if we are ashamed that, considering the time at our disposal, we have not made the acquaintance
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Fashions in Literature from Project Gutenberg. Public domain.