It was under this impression that Irene passed the last evening at Saratoga with Stanhope on the piazza of the hotel—an evening that the latter long remembered as giving him the sweetest and the most contradictory and perplexing glimpses of a woman’s heart.
XIII
RICHFIELD SPRINGS, COOPERSTOWN
After weeks of the din of Strauss and Gungl, the soothing strains of the Pastoral Symphony. Now no more the kettle-drum and the ceaseless promenade in showy corridors, but the oaten pipe under the spreading maples, the sheep feeding on the gentle hills of Otsego, the carnival of the hop-pickers. It is time to be rural, to adore the country, to speak about the dew on the upland pasture, and the exquisite view from Sunset Hill. It is quite English, is it not? this passion for quiet, refined country life, which attacks all the summer revelers at certain periods in the season, and sends them in troops to Richfield or Lenox or some other peaceful retreat, with their simple apparel bestowed in modest fourstory trunks. Come, gentle shepherdesses, come, sweet youths in white flannel, let us tread a measure on the greensward, let us wander down the lane, let us pass under the festoons of the hop-vines, let us saunter in the paths of sentiment, that lead to love in a cottage and a house in town.
Every watering-place has a character of its own, and those who have given little thought to this are surprised at the endless variety in the American resorts. But what is even more surprising is the influence that these places have upon the people that frequent them, who appear to change their characters with their surroundings. One woman in her season plays many parts, dashing in one place, reserved in another, now gay and active, now listless and sentimental, not at all the same woman at Newport that she is in the Adirondack camps, one thing at Bar Harbor and quite another at Saratoga or at Richfield. Different tastes, to be sure, are suited at different resorts, but fashion sends a steady procession of the same people on the round of all.