Mr. Brown received a fair education in a classical school in his native city, and studied law, which he abandoned on the threshold of practice, as Irving did, and for the same reason.  He had the genuine literary impulse, which he obeyed against all the arguments and entreaties of his friends.  Unfortunately, with a delicate physical constitution he had a mind of romantic sensibility, and in the comparative inaction imposed by his frail health he indulged in visionary speculation, and in solitary wanderings which developed the habit of sentimental musing.  It was natural that such reveries should produce morbid romances.  The tone of them is that of the unwholesome fiction of his time, in which the “seducer” is a prominent and recognized character in social life, and female virtue is the frail sport of opportunity.  Brown’s own life was fastidiously correct, but it is a curious commentary upon his estimate of the natural power of resistance to vice in his time, that he regarded his feeble health as good fortune, since it protected him from the temptations of youth and virility.

While he was reading law he constantly exercised his pen in the composition of essays, some of which were published under the title of the “Rhapsodist;” but it was not until 1797 that his career as an author began, by the publication of “Alcuin:  a Dialogue on the Rights of Women.”  This and the romances which followed it show the powerful influence upon him of the school of fiction of William Godwin, and the movement of emancipation of which Mary Wollstonecraft was the leader.  The period of social and political ferment during which “Alcuin” was put forth was not unlike that which may be said to have reached its height in extravagance and millennial expectation in 1847-48.  In “Alcuin” are anticipated most of the subsequent discussions on the right of women to property and to self-control, and the desirability of revising the marriage relation.  The injustice of any more enduring union than that founded upon the inclination of the hour is as ingeniously urged in “Alcuin” as it has been in our own day.

Mr. Brown’s reputation rests upon six romances:  “Wieland,” “Ormond,” “Arthur Mervyn,” “Edgar Huntly,” “Clara Howard,” and “Jane Talbot.”  The first five were published in the interval between the spring of 1798 and the summer of 1801, in which he completed his thirtieth year.  “Jane Talbot” appeared somewhat later.  In scenery and character, these romances are entirely unreal.  There is in them an affectation of psychological purpose which is not very well sustained, and a somewhat clumsy introduction of supernatural machinery.  Yet they have a power of engaging the attention in the rapid succession of startling and uncanny incidents and in adventures in which the horrible is sometimes dangerously near the ludicrous.  Brown had not a particle of humor.  Of literary art there is little, of invention considerable; and while the style is to a certain