The bridegroom got up, smiled, and, turning to his sister-in-law, from politeness and gallantry, tried to think of something suitable for the occasion, something serious and correct, to harmonize with the seriousness of the repast.
Anna had a satisfied look on her face, and leaned back in her chair to listen, and all assumed looks of attention, though prepared to smile should smiles he called for.
The singer announced “The Accursed Bread,” and, extending his right arm, which made his coat ruck up into his neck, he began.
It was decidedly long, three verses of eight lines each, with the last line and the last but one repeated twice.
All went well for the first two verses; they were the usual commonplaces about bread gained by honest labor and by dishonesty. The aunt and the bride wept outright. The cook, who was present, at the end of the first verse looked at a roll which she held in her hand, with streaming eyes, as if it applied to her, while all applauded vigorously. At the end of the second verse the two servants, who were standing with their backs to the wall, joined loudly in the chorus, and the aunt and the bride wept outright.
Daddy Taille blew his nose with the noise of a trombone, and old Touchard brandished a whole loaf half over the table, and the cook shed silent tears on the crust which she was still holding.
Amid the general emotion Monsieur Sauvetanin said:
“That is the right sort of song; very different from the nasty, risky things one generally hears at weddings.”
Anna, who was visibly affected, kissed her hand to her sister and pointed to her husband with an affectionate nod, as if to congratulate her.
Intoxicated by his success, the young man continued, and unfortunately the last verse contained words about the “bread of dishonor” gained by young girls who had been led astray. No one took up the refrain about this bread, supposed to be eaten with tears, except old Touchard and the two servants. Anna had grown deadly pale and cast down her eyes, while the bridegroom looked from one to the other without understanding the reason for this sudden coldness, and the cook hastily dropped the crust as if it were poisoned.
Monsieur Sauvetanin said solemnly, in order to save the situation: “That last couplet is not at all necessary”; and Daddy Taille, who had got red up to his ears, looked round the table fiercely.