print which he had known for years; and then he would sit down for a while in one chair, and for a while in another, while his mind was wandering back into the old days, thinking of old troubles and remembering old joys.  And he had a habit, when he was sure that he that he was not watched, of creeping up to a great black wooden case, which always stood in one corner of the sitting-room which he occupied in the deanery.  Mr Harding, when he was younger, had been a performer on the violoncello, and in this case there was still the instrument from which he had been wont to extract the sounds which he had so dearly loved.  Now in these latter days he never made any attempt to play.  Soon after he had come to the deanery there had fallen upon him an illness, and after that he had never again asked for his bow.  They who were around him—­his daughter chiefly and her husband—­had given the matter much thought, arguing with themselves whether or no it would be better to invite him to resume the task he so loved; for of all the works of his life this playing on the violoncello had been the sweetest to him; but even before that illness his hand had greatly failed him, and the dean and Mrs Arabin had agreed that it would be better to let the matter pass without a word.  He had never asked to be allowed to play.  He had expressed no regrets.  When he himself would propose that his daughter should ’give them a little music’—­and he would make such a proposition on every evening that was suitable—­he would never say a word of those former performances at which he himself had taken a part.  But it had become known to Mrs Arabin, through the servants, that he had once dragged the instrument forth from its case when he thought the house to be nearly deserted; and a wail of sounds had been heard, very low, very short-lived, recurring now and again at fitful intervals.  He had at those times attempted to play, as though with a muffled bow—­so that none should know of his vanity and folly.  Then there had been further consultations at the deanery, and it had been again agreed that it would be best to say nothing to him of his music.

In these latter days of which I am now speaking he would never draw the instrument out of its case.  Indeed he was aware that it was too heavy for him to handle without assistance.  But he would pass his fingers among the broad strings, and ever and anon would produce from one of them a low, melancholy, almost unearthly sound.  And then he would pause, never daring to produce such notes in succession—­one close upon the other.  And these last sad moans of the old fiddle were now known through the household.  They were the ghosts of the melody of days long past.  He imagined that his visits to the box were unsuspected—­that none knew of the folly of his old fingers which could not keep themselves from touching the wires; but the voice of the old violoncello had been recognised by the servants and by his daughter, and when that low wail was heard through the house—­like the last dying note of a dirge—­they would all know that Mr Harding was visiting his ancient friend.