On a green plot at the other end of the building grew two or three large, wide-spreading elm-trees, from which the sign was suspended —representing the three men called tranters (irregular carriers), standing side by side, and exactly alike to a hair’s-breadth, the grain of the wood and joints of the boards being visible through the thin paint depicting their forms, which were still further disfigured by red stains running downwards from the rusty nails above.
Under the trees now stood a cider-mill and press, and upon the spot sheltered by the boughs were gathered Mr. Springrove himself, his men, the parish clerk, two or three other men, grinders and supernumeraries, a woman with an infant in her arms, a flock of pigeons, and some little boys with straws in their mouths, endeavouring, whenever the men’s backs were turned, to get a sip of the sweet juice issuing from the vat.
Edward Springrove the elder, the landlord, now more particularly a farmer, and for two months in the year a cider-maker, was an employer of labour of the old school, who worked himself among his men. He was now engaged in packing the pomace into horsehair bags with a rammer, and Gad Weedy, his man, was occupied in shovelling up more from a tub at his side. The shovel shone like silver from the action of the juice, and ever and anon, in its motion to and fro, caught the rays of the declining sun and reflected them in bristling stars of light.
Mr. Springrove had been too young a man when the pristine days of the Three Tranters had departed for ever to have much of the host left in him now. He was a poet with a rough skin: one whose sturdiness was more the result of external circumstances than of intrinsic nature. Too kindly constituted to be very provident, he was yet not imprudent. He had a quiet humorousness of disposition, not out of keeping with a frequent melancholy, the general expression of his countenance being one of abstraction. Like Walt Whitman he felt as his years increased—