704.  Grisly.  Grim, horrible; an obsolete word, much used in old poetry.  Cf.  Spenser, F. Q. i. 5. 30:  “her darke griesly looke;” Shakespeare, 1 Hen.  Vi. i. 4. 47:  “My grisly countenance made others fly,” etc.  See also iv. 322, etc. below.

723.  Played, etc.  The Ms. reads: 

“Played on/ the bosoms of the lake,
/ Lock Katrine’s still expanse;
The birch, the wild rose, and the broom
Wasted around their rich perfume ... 
The birch-trees wept in balmy dew;
The aspen slept on Benvenue;
Wild were the heart whose passions’ power
Defied the influence of the hour.”

724.  Passion’s.  The reading of the 1st ed. and that of 1821; some recent eds. have “passions’.”

738.  Orisons.  The 1st ed. has “orison” both here and in 740 (the ed. of 1821 only in the latter); but the word is almost invariably plural, both in poetry and prose—­always in Shakespeare and Milton.

Canto Second.

7.  A minstrel gray.  “That Highland chieftains, to a late period, retained in their service the bard, as a family officer, admits of very easy proof.  The author of the Letters from the North of Scotland, an officer of engineers, quartered at Inverness about 1720, who certainly cannot be deemed a favorable witness, gives the following account of the office, and of a bard, whom he heard exercise his talent of recitation:—­’The bard is killed in the genealogy of all the Highland families, sometimes preceptor to the young laird, celebrates in Irish verse the original of the tribe, the famous warlike actions of the successive heads, and sings his own lyricks as an opiate to the chief, when indisposed for sleep; but poets are not equally esteemed and honored in all countries.  I happened to be a witness of the dishonour done to the muse, at the house of one of the chiefs, where two of these bards were set at a good distance, at the lower end of a long table, with a parcel of Highlanders of no extraordinary appearance, over a cup of ale.  Poor inspiration!  They were not asked to drink a glass of wine at our table, though the whole company consisted only of the great man, one of his near relations, and myself.  After some little time, the chief ordered one of them to sing me a Highland song.  The bard readily obeyed, and with a hoarse voice, and in a tune of few various notes, began, as I was told, one of his own lyricks; and when he had proceeded to the fourth of fifth stanza, I perceived, by the names of several persons, glens, and mountains, which I had known or heard of before, that it was an account of some clan battle.  But in his going on, the chief (who piques himself upon his school-learning) at some particular passage, bid him cease, and cryed out, “There’s nothing like that in Virgil or Homer.”  I bowed, and told him I believed so.  This you may believe was very edifying and delightful’” (Scott).

15.  Than men, etc.  “It is evident that the old bard, with his second-sight, has a glimmering notion who the stranger is.  He speaks below [311] of ‘courtly spy,’ and James’s speech had betrayed a knowledge of the Douglas” (Taylor).