603.  The elder lady’s mien.  The Ms. has “the mother’s easy mien.”

606.  Ellen, though more, etc.  The Ms. reads: 

    “Ellen, though more her looks betrayed
     The simple heart of mountain maid,
     In speech and gesture, form and grace,
     Showed she was come of gentle race;
     ’T was strange, in birth so rude, to find
     Such face, such manners, and such mind. 
     Each anxious hint the stranger gave,
     The mother heard with silence grave.”

616.  Weird women we, etc.  See on 35 above.  Weird here = skilled in witchcraft; like the “weird sisters” of Macbeth.  Down = hill (the Gaelic dun).

622.  A harp unseen.  Scott has the following note here:  “’"They [the Highlanders] delight much in musicke, but chiefly in harps and clairschoes of their own fashion.  The strings of the clairschoes are made of brasse wire, and the strings of the harps of sinews; which strings they strike either with their nayles, growing long, or else with an instrument appointed for that use.  They take great pleasure to decke their harps and clairschoes with silver and precious stones; the poore ones that cannot attayne hereunto, decke them with christall.  They sing verses prettily compound, contayning (for the most part) prayses of valiant men.  There is not almost any other argument, whereof their rhymes intreat.  They speak the ancient French language, altered a little."[FN#6]

’The harp and chairschoes are now only heard of in the Highlands in ancient song.  At what period these instruments ceased to be used, is not on record; and tradition is silent on this head.  But, as Irish harpers occasionally visited the Highlands and Western Isles till lately, the harp might have been extant so late as the middle of the present century.  Thus far we know, that from remote times down to the present, harpers were received as welcome guests, particularly in the Highlands of Scotland; and so late as the latter end of the sixteenth century, as appears by the above quotations, the harp was in common use among the natives of the Western Isles.  How it happened that the noisy and inharmonious bagpipe banished the soft and expressive harp, we cannot say; but certain it is, that the bagpipe is now the only instrument that obtains universally in the Highland districts’ (Campbell’s Journey through North Britain.  London, 1808, 4to, i. 175).

“Mr. Gunn, of Edinburgh, has lately published a curious Essay upon the Harp and Harp Music of the Highlands of Scotland.  That the instrument was once in common use there, is most certain.  Cleland numbers an acquaintance with it among the few accomplishments which his satire allows to the Highlanders:—­

    ’In nothing they’re accounted sharp,
     Except in bagpipe or in harm.’”

624.  Soldier, rest! etc.  The metre of this song is trochaic; that is, the accents fall regularly on the odd syllables.