This dangerous trust made me go to her room to tell her something about our journey to Lodi, the carriages were already waiting.  She was still asleep, but my step on the floor made her awake with a start.  I did not even think it necessary to apologize.  She told me that Tasso’s Aminta had interested her to such an extent that she had read it till she fell asleep.

“The Pastor Fido will please you still more.”

“Is it more beautiful?”

“Not exactly.”

“Then why do you say it will please me more?”

“Because it charms the heart.  It appeals to our softest feelings, and seduces us—­and we love seduction.”

“It is a seducer, then?”

“No, not a seducer; but seductive, like you.”

“That’s a good distinction.  I will read it this evening.  Now I am going to dress.”

She put on her clothes in seeming oblivion that I was a man, but without shewing any sights that could be called indecent.  Nevertheless it struck me that if she had thought I was in love with her, she would have been more reserved, for as she put on her chemise, laced her corset, fastened her garters above her knee, and drew on her boots, I saw glimpses of beauty which affected me so strongly that I was obliged to go out before she was ready to quench the flames she had kindled in my senses.

I took the countess and Clementine in my carriage, and sat on the bracket seat holding the baby on my knee.  My two fair companions laughed merrily, for I held the child as if to the manner born.  When we had traversed half the distance the baby demanded nourishment, and the charming mother hastened to uncover a sphere over which my eyes roved with delight, not at all to her displeasure.  The child left its mother’s bosom satisfied, and at the sight of the liquor which flowed so abundantly I exclaimed,—­

“It must not be lost, madam; allow me to sip nectar which will elevate me to the rank of the gods.  Do not be afraid of my teeth.”  I had some teeth in those days.

The smiling countess made no opposition, and I proceeded to carry out my design, while the ladies laughed that magic laugh which not painter can portray.  The divine Homer is the only poet who has succeeded in delineating it in those lines in which he describes Andromache with the young Astyanax in her arms, when Hector is leaving her to return to the battle.

I asked Clementine if she had the courage to grant me a similar favour.

“Certainly,” said she, “if I had any milk.”

“You have the source of the milk; I will see to the rest.”

At this the girl’s face suffused with such a violent blush that I was sorry I had spoken; however, I changed the conversation, and it soon passed away.  Our spirits were so high that when the time came for us to get down at the inn at Lodi, we could scarcely believe it possible, so swiftly had the time gone by.