After I had heard the opinion of the actors, who by their praise of various situations shewed me that they had taken in the plot, I told Costa to distribute the parts; but no sooner was this done than the first actor and the first actress began to express their displeasure; she, because I had given her the part of Lady Alton; he, because I had not given him Murray’s part; but they had to bear it as it was my will. I pleased everybody by asking them all to dinner for the day after the morrow, after dinner the piece to be rehearsed for the first time.
The banker Belloni asked me to dinner for the following day, including my lady, who excused herself with great politeness, in the invitation; and M. Grimaldi was glad to take my place at dinner at her request.
When I got to M. Belloni’s, I was greatly surprised to see the impostor Ivanoff, who instead of pretending not to know me, as he ought to have done, came forward to embrace me. I stepped back and bowed, which might be put down to a feeling of respect, although my coldness and scant ceremony would have convinced any observant eye of the contrary. He was well dressed, but seemed sad, though he talked a good deal, and to some purpose, especially on politics. The conversation turned on the Court of Russia, where Elizabeth Petrovna reigned; and he said nothing, but sighed and turned away pretending to wipe the tears from his eyes. At dessert, he asked me if I had heard anything of Madame Morin, adding, as if to recall the circumstance to my memory, that we had supped together there:
“I believe she is quite well,” I answered.
His servant, in yellow and red livery, waited on him at table. After dinner he contrived to tell me that he had a matter of the greatest importance he wanted to discuss with me.
“My only desire sir, is to avoid all appearance of knowing anything about you.”
“One word from you will gain me a hundred thousand crowns, and you shall have half.”
I turned my back on him, and saw him no more at Genoa.
When I got back to the inn I found M. de Grimaldi giving Rosalie a lesson in Italian.
“She has given me an exquisite dinner,” said he, “you must be very happy with her.”
In spite of his honest face, M. Grimaldi was in love with her, but I thought I had nothing to fear. Before he went she invited him to come to the rehearsal next day.
When the actors came I noticed amongst them a young man whose face I did not know, and on my enquiring Rossi told me he was the prompter.
“I won’t have any prompter; send him about his business.”
“We can’t get on without him.”
“You’ll have to; I will be the prompter.”
The prompter was dismissed, but the three actresses began to complain.
“If we knew our parts as well as the ‘pater noster’ we should be certain to come to a dead stop if the prompter isn’t in his box.”