In all the great houses I went to, and at the theatres, as soon as I was seen, everybody gave me money, asking me to lay it out as I liked and to send them the tickets, as, so far, the lottery was strange to most people. I thus got into the way of carrying about me tickets of all sorts, or rather of all prices, which I gave to people to choose from, going home in the evening with my pockets full of gold. This was an immense advantage to me, as kind of privilege which I enjoyed to the exclusion of the other receivers who were not in society, and did not drive a carriage like myself—no small point in one’s favour, in a large town where men are judged by the state they keep. I found I was thus able to go into any society, and to get credit everywhere.
I had hardly been a month in Paris when my brother Francis, with whom I had parted in 1752, arrived from Dresden with Madame Sylvestre. He had been at Dresden for four years, taken up with the pursuit of his art, having copied all the battle pieces in the Elector’s Galley. We were both of us glad to meet once more, but on my offering to see what my great friends could do for him with the Academicians, he replied with all an artist’s pride that he was much obliged to me, but would rather not have any other patrons than his talents. “The French,” said he, “have rejected me once, and I am far from bearing them ill-will on that account, for I would reject myself now if I were what I was then; but with their love of genius I reckon on a better reception this time.”
His confidence pleased me, and I complimented him upon it, for I have always been of the opinion that true merit begins by doing justice to itself.
Francis painted a fine picture, which on being exhibited at the Louvre, was received with applause. The Academy bought the picture for twelve thousand francs, my brother became famous, and in twenty-six years he made almost a million of money; but in spite of that, foolish expenditure, his luxurious style of living, and two bad marriages, were the ruin of him.