reached his nook in the bazaar he puts his goods before the counter, and himself upon it; then laying fire to his tchibouque he “sits in permanence,” and patiently waits to obtain “the best price that can be got in an open market.”  This is his fair right as a seller, but he has no means of finding out what that best price is except by actual experiment.  He cannot know the intensity of the demand, or the abundance of the supply, otherwise than by the offers which may be made for his little bundle of goods; so he begins by asking a perfectly hopeless price, and then descends the ladder until he meets a purchaser, for ever

“Striving to attain
By shadowing out the unattainable.”

This is the struggle which creates the continual occasion for debate.  The vendor, perceiving that the unfolded merchandise has caught the eye of a possible purchaser, commences his opening speech.  He covers his bristling broadcloths and his meagre silks with the golden broidery of Oriental praises, and as he talks, along with the slow and graceful waving of his arms, he lifts his undulating periods, upholds and poises them well, till they have gathered their weight and their strength, and then hurls them bodily forward with grave, momentous swing.  The possible purchaser listens to the whole speech with deep and serious attention; but when it is over his turn arrives.  He elaborately endeavours to show why he ought not to buy the things at a price twenty times larger than their value.  Bystanders attracted to the debate take a part in it as independent members; the vendor is heard in reply, and coming down with his price, furnishes the materials for a new debate.  Sometimes, however, the dealer, if he is a very pious Mussulman, and sufficiently rich to hold back his ware, will take a more dignified part, maintaining a kind of judicial gravity, and receiving the applicants who come to his stall as if they were rather suitors than customers.  He will quietly hear to the end some long speech that concludes with an offer, and will answer it all with the one monosyllable “Yok,” which means distinctly “No.”

I caught one glimpse of the old heathen world.  My habits for studying military subjects had been hardening my heart against poetry; for ever staring at the flames of battle, I had blinded myself to the lesser and finer lights that are shed from the imaginations of men.  In my reading at this time I delighted to follow from out of Arabian sands the feet of the armed believers, and to stand in the broad, manifest storm-track of Tartar devastation; and thus, though surrounded at Constantinople by scenes of much interest to the “classical scholar,” I had cast aside their associations like an old Greek grammar, and turned my face to the “shining Orient,” forgetful of old Greece and all the pure wealth she left to this matter-of-fact-ridden world.  But it happened to me one day to mount the high grounds overhanging the streets of Pera.  I sated my