Dubliners eBook

This eBook from the Gutenberg Project consists of approximately 256 pages of information about Dubliners.

Dubliners eBook

This eBook from the Gutenberg Project consists of approximately 256 pages of information about Dubliners.

I dreamt that I dwelt in marble halls
With vassals and serfs at my side,
And of all who assembled within those walls
That I was the hope and the pride.

I had riches too great to count; could boast
Of a high ancestral name,
But I also dreamt, which pleased me most,
That you loved me still the same.

But no one tried to show her her mistake; and when she had ended her song Joe was very much moved.  He said that there was no time like the long ago and no music for him like poor old Balfe, whatever other people might say; and his eyes filled up so much with tears that he could not find what he was looking for and in the end he had to ask his wife to tell him where the corkscrew was.

A PAINFUL CASE

Mr. James Duffy lived in Chapelizod because he wished to live as far as possible from the city of which he was a citizen and because he found all the other suburbs of Dublin mean, modern and pretentious.  He lived in an old sombre house and from his windows he could look into the disused distillery or upwards along the shallow river on which Dublin is built.  The lofty walls of his uncarpeted room were free from pictures.  He had himself bought every article of furniture in the room:  a black iron bedstead, an iron washstand, four cane chairs, a clothes- rack, a coal-scuttle, a fender and irons and a square table on which lay a double desk.  A bookcase had been made in an alcove by means of shelves of white wood.  The bed was clothed with white bedclothes and a black and scarlet rug covered the foot.  A little hand-mirror hung above the washstand and during the day a white-shaded lamp stood as the sole ornament of the mantelpiece.  The books on the white wooden shelves were arranged from below upwards according to bulk.  A complete Wordsworth stood at one end of the lowest shelf and a copy of the Maynooth Catechism, sewn into the cloth cover of a notebook, stood at one end of the top shelf.  Writing materials were always on the desk.  In the desk lay a manuscript translation of Hauptmann’s Michael Kramer, the stage directions of which were written in purple ink, and a little sheaf of papers held together by a brass pin.  In these sheets a sentence was inscribed from time to time and, in an ironical moment, the headline of an advertisement for Bile Beans had been pasted on to the first sheet.  On lifting the lid of the desk a faint fragrance escaped—­the fragrance of new cedarwood pencils or of a bottle of gum or of an overripe apple which might have been left there and forgotten.

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Project Gutenberg
Dubliners from Project Gutenberg. Public domain.