Scarcely had Lady Lochleven left the room than the queen sat down again, joyful and triumphant at the victory she had just gained, and ate with a better appetite than she had yet done since she was a prisoner, while Mary Seyton deplored in a low tone and with all possible respect this fatal gift of repartee that Mary had received, and which, with her beauty, was one of the causes of all her misfortunes; but the queen did nothing but laugh at all her observations, saying she was curious to see the figure her good hostess would cut at dinnertime.

After breakfast, the queen went down into the garden:  her satisfied pride had restored some of her cheerfulness, so much so that, seeing, while crossing the hall, a mandolin lying forgotten on a chair, she told Mary Seyton to take it, to see, she said, if she could recall her old talent.  In reality the queen was one of the best musicians of the time, and played admirably, says Brantome, on the lute and viol d’amour, an instrument much resembling the mandolin.

Mary Seyton obeyed.

Arrived in the garden, the queen sat down in the deepest shade, and there, having tuned her instrument, she at first drew from it lively and light tones, which soon darkened little by little, at the same time that her countenance assumed a hue of deep melancholy.  Mary Seyton looked at her with uneasiness, although for a long time she had been used to these sudden changes in her mistress’s humour, and she was about to ask the reason of this gloomy veil suddenly spread over her face, when, regulating her harmonies, Mary began to sing in a low voice, and as if for herself alone, the following verses:—­

    “Caverns, meadows, plains and mounts,
     Lands of tree and stone,
     Rivers, rivulets and founts,
     By which I stray alone,
     Bewailing as I go,
     With tears that overflow,
     Sing will I
     The miserable woe
     That bids me grieve and sigh.

     Ay, but what is here to lend
     Ear to my lament? 
     What is here can comprehend
     My dull discontent? 
     Neither grass nor reed,
     Nor the ripples heed,
     Flowing by,
     While the stream with speed
     Hastens from my eye.

     Vainly does my wounded heart
     Hope, alas, to heal;
     Seeking, to allay its smart,
     Things that cannot feel. 
     Better should my pain
     Bitterly complain,
     Crying shrill,
     To thee who dost constrain
     My spirit to such ill.

     Goddess, who shalt never die,
     List to what I say;
     Thou who makest me to lie
     Weak beneath thy sway,
     If my life must know
     Ending at thy blow,
     Cruellest! 
     Own it perished so
     But at thy behest.

     Lo! my face may all men see
     Slowly pine and fade,
     E’en as ice doth melt and flee
     Near a furnace laid. 
     Yet the burning ray
     Wasting me away
     Passion’s glow,
     Wakens no display
     Of pity for my woe.