Like all the women of distinction in her nation, Vaninka was a good musician, and spoke French, Italian, German, and English equally well.
Her features had developed in harmony with her character. Vaninka was beautiful, but her beauty was perhaps a little too decided. Her large black eyes, straight nose, and lips curling scornfully at the corners, impressed those who saw her for the first time somewhat unpleasantly. This impression soon wore off with her superiors and equals, to whom she became merely an ordinary charming woman, whilst to subalterns and such like she remained haughty and inaccessible as a goddess. At seventeen Vaninka’s education was finished, and her governess who had suffered in health through the severe climate of St. Petersburg, requested permission to leave. This desire was granted with the ostentatious recognition of which the Russian nobility are the last representatives in Europe. Thus Vaninka was left alone, with nothing but her father’s blind adoration to direct her. She was his only daughter, as we have mentioned, and he thought her absolutely perfect.
Things were in this state in the-general’s house when he received a letter, written on the deathbed of one of the friends of his youth. Count Romayloff had been exiled to his estates, as a result of some quarrel with Potemkin, and his career had been spoilt. Not being able to recover his forfeited position, he had settled down about four hundred leagues from St. Petersburg; broken-hearted, distressed probably less on account of his own exile and misfortune than of the prospects of his only son, Foedor. The