Then came that last burst of music thrilling and divine, and its rich, passionate notes seemed to open the heavens to their sight. There in the deep sky they perceived the awakening of the lovers and their embrace of perfect joy, and when a glory hid them, heard the victorious chant of the priestess of love sighing itself away, faint and ever fainter, till at length its last distant echoes died in the utter silence of the place of souls.
Tua ceased her music. Resting her still quivering harp upon the board, she sank back in her chair of state, outworn, trembling, while in her pale face the blue eyes shone like stars. There was stillness in the hall; the spell of that magical voice lay on the listeners; none applauded, it seemed even that none dared to move, for men remembered that this wonderful young Queen was said to be daughter of Amen, Master of the world, and thought that it had been given to them to hearken, not to a royal maiden, but to a goddess of the skies.
Quiet they sat as though sleep had smitten them, only every man of their number stared at the sweet pale face and at those radiant eyes. Drunk with passion and with wine, Amathel, Prince of Kesh, leaned his heavy head upon his hand and stared like the rest. But those eyes did not stay on him. Had he been a stone they could not have noted him less; they passed over him seeking something beyond.
Slowly he turned to see what it might be at which the Morning Star of Amen gazed, and perceived that the young captain who waited on him, he who was said to be of a race more ancient and purer than his own, he whose house had reigned in the Southern Land when his ancestors were but traffickers in gold, was also gazing at this royal singer. Yes, he bent forward to gaze as though a spell drew him, a spell, or the eyes of the Queen, and there was that upon his face which even a drunken Nubian could not fail to understand.
In the hands of Rames was the tall, golden vase of wine, and as Amathel thrust back his chair its topmost ivory bar struck the foot of the vase and tilted it, so that the red wine poured in a torrent over the Prince’s head and gorgeous robes, staining him from his crest of plumes to his feet as though with blood. Up sprang the Prince of Kesh roaring with fury.
“Dog-descended slave!” he shouted. “Hog-headed brother of swine, is it thus that you wait upon my Royalty?” and with the cup in his hand he smote Rames on the face, then drew the sword at his side to kill him.
But Rames also wore a sword, that sword hafted with the golden crocodile which Pharaoh had given him long ago—that sword which Asti the foresighted had seen red with royal blood. With a wild, low cry he snatched it from its sheath, and to avoid the blow that Amathel struck at him before he could guard himself, sprang backwards from the dais to the open space in the hall that had been left clear for the dancers. After him leapt Amathel calling him “Coward,” and next instant the pillars echoed, not with Tua’s music but with the stern ringing of bronze upon bronze.