The Poet at the Breakfast-Table eBook

This eBook from the Gutenberg Project consists of approximately 410 pages of information about The Poet at the Breakfast-Table.

The Poet at the Breakfast-Table eBook

This eBook from the Gutenberg Project consists of approximately 410 pages of information about The Poet at the Breakfast-Table.

Beyond the garden was “the field,” a vast domain of four acres or thereabout, by the measurement of after years, bordered to the north by a fathomless chasm,—­the ditch the base-ball players of the present era jump over; on the east by unexplored territory; on the south by a barren enclosure, where the red sorrel proclaimed liberty and equality under its drapeau rouge, and succeeded in establishing a vegetable commune where all were alike, poor, mean, sour, and uninteresting; and on the west by the Common, not then disgraced by jealous enclosures, which make it look like a cattle-market.  Beyond, as I looked round, were the Colleges, the meeting-house, the little square market-house, long vanished; the burial-ground where the dead Presidents stretched their weary bones under epitaphs stretched out at as full length as their subjects; the pretty church where the gouty Tories used to kneel on their hassocks; the district schoolhouse, and hard by it Ma’am Hancock’s cottage, never so called in those days, but rather “tenfooter”; then houses scattered near and far, open spaces, the shadowy elms, round hilltops in the distance, and over all the great bowl of the sky.  Mind you, this was the world, as I first knew it; terra veteribus cognita, as Mr. Arrowsmith would have called it, if he had mapped the universe of my infancy: 

But I am forgetting the old house again in the landscape.  The worst of a modern stylish mansion is, that it has no place for ghosts.  I watched one building not long since.  It had no proper garret, to begin with, only a sealed interval between the roof and attics, where a spirit could not be accommodated, unless it were flattened out like Ravel, Brother, after the millstone had fallen on him.  There was not a nook or a corner in the whole horse fit to lodge any respectable ghost, for every part was as open to observation as a literary man’s character and condition, his figure and estate, his coat and his countenance, are to his (or her) Bohemian Majesty on a tour of inspection through his (or her) subjects’ keyholes.

Now the old house had wainscots, behind which the mice were always scampering and squeaking and rattling down the plaster, and enacting family scenes and parlor theatricals.  It had a cellar where the cold slug clung to the walls, and the misanthropic spider withdrew from the garish day; where the green mould loved to grow, and the long white potato-shoots went feeling along the floor, if haply they might find the daylight; it had great brick pillars, always in a cold sweat with holding up the burden they had been aching under day and night far a century and more; it had sepulchral arches closed by rough doors that hung on hinges rotten with rust, behind which doors, if there was not a heap of bones connected with a mysterious disappearance of long ago, there well might have been, for it was just the place to look for them.  It had a garret; very nearly such a one as it seems to

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The Poet at the Breakfast-Table from Project Gutenberg. Public domain.