The Poet at the Breakfast-Table eBook

This eBook from the Gutenberg Project consists of approximately 410 pages of information about The Poet at the Breakfast-Table.

The Poet at the Breakfast-Table eBook

This eBook from the Gutenberg Project consists of approximately 410 pages of information about The Poet at the Breakfast-Table.

I have studied the people called misers and thought a good deal about them.  In former years I used to keep a little gold by me in order to ascertain for myself exactly the amount of pleasure to be got out of handling it; this being the traditional delight of the old-fashioned miser.  It is by no means to be despised.  Three or four hundred dollars in double-eagles will do very well to experiment on.  There is something very agreeable in the yellow gleam, very musical in the metallic clink, very satisfying in the singular weight, and very stimulating in the feeling that all the world over these same yellow disks are the master-keys that let one in wherever he wants to go, the servants that bring him pretty nearly everything he wants, except virtue,—­and a good deal of what passes for that.  I confess, then, to an honest liking for the splendors and the specific gravity and the manifold potentiality of the royal metal, and I understand, after a certain imperfect fashion, the delight that an old ragged wretch, starving himself in a crazy hovel, takes in stuffing guineas into old stockings and filling earthen pots with sovereigns, and every now and then visiting his hoards and fingering the fat pieces, and thinking ever all that they represent of earthly and angelic and diabolic energy.  A miser pouring out his guineas into his palm and bathing his shrivelled and trembling hands in the yellow heaps before him, is not the prosaic being we are in the habit of thinking him.  He is a dreamer, almost a poet.  You and I read a novel or a poem to help our imaginations to build up palaces, and transport us into the emotional states and the felicitous conditions of the ideal characters pictured in the book we are reading.  But think of him and the significance of the symbols he is handling as compared with the empty syllables and words we are using to build our aerial edifices with!  In this hand he holds the smile of beauty and in that the dagger of revenge.  The contents of that old glove will buy him the willing service of many an adroit sinner, and with what that coarse sack contains he can purchase the prayers of holy men for all succeeding time.  In this chest is a castle in Spain, a real one, and not only in Spain, but anywhere he will choose to have it.  If he would know what is the liberality of judgment of any of the straiter sects, he has only to hand over that box of rouleaux to the trustees of one of its educational institutions for the endowment of two or three professorships.  If he would dream of being remembered by coming generations, what monument so enduring as a college building that shall bear his name, and even when its solid masonry shall crumble give place to another still charged with the same sacred duty of perpetuating his remembrance.  Who was Sir Matthew Holworthy, that his name is a household word on the lips of thousands of scholars, and will be centuries hence, as that of Walter de Merton, dead six hundred years ago, is to-day at Oxford? 

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The Poet at the Breakfast-Table from Project Gutenberg. Public domain.