The clubs are noisy with clamorous frenzy; the leaders are grim with schemes.  Black Henriot flies here and there, muttering to his armed troops, “Robespierre, your beloved, is in danger!” Robespierre stalks perturbed, his list of victims swelling every hour.  Tallien, the Macduff to the doomed Macbeth, is whispering courage to his pale conspirators.  Along the streets heavily roll the tumbrils.  The shops are closed,—­the people are gorged with gore, and will lap no more.  And night after night, to the eighty theatres flock the children of the Revolution, to laugh at the quips of comedy, and weep gentle tears over imaginary woes!

In a small chamber, in the heart of the city, sits the mother, watching over her child.  It is quiet, happy noon; the sunlight, broken by the tall roofs in the narrow street, comes yet through the open casement, the impartial playfellow of the air, gleesome alike in temple and prison, hall and hovel; as golden and as blithe, whether it laugh over the first hour of life, or quiver in its gay delight on the terror and agony of the last!  The child, where it lay at the feet of Viola, stretched out its dimpled hands as if to clasp the dancing motes that revelled in the beam.  The mother turned her eyes from the glory; it saddened her yet more.  She turned and sighed.

Is this the same Viola who bloomed fairer than their own Idalia under the skies of Greece?  How changed!  How pale and worn!  She sat listlessly, her arms dropping on her knee; the smile that was habitual to her lips was gone.  A heavy, dull despondency, as if the life of life were no more, seemed to weigh down her youth, and make it weary of that happy sun!  In truth, her existence had languished away since it had wandered, as some melancholy stream, from the source that fed it.  The sudden enthusiasm of fear or superstition that had almost, as if still in the unconscious movements of a dream, led her to fly from Zanoni, had ceased from the day which dawned upon her in a foreign land.  Then—­there—­she felt that in the smile she had evermore abandoned lived her life.  She did not repent,—­she would not have recalled the impulse that winged her flight.  Though the enthusiasm was gone, the superstition yet remained; she still believed she had saved her child from that dark and guilty sorcery, concerning which the traditions of all lands are prodigal, but in none do they find such credulity, or excite such dread, as in the South of Italy.  This impression was confirmed by the mysterious conversations of Glyndon, and by her own perception of the fearful change that had passed over one who represented himself as the victim of the enchanters.  She did not, therefore, repent; but her very volition seemed gone.

On their arrival at Paris, Viola saw her companion—­the faithful wife—­no more.  Ere three weeks were passed, husband and wife had ceased to live.