In the dark splendour of the eyes that met her own there was indeed so much of gentle encouragement, of benign and compassionate admiration,—­so much that warmed, and animated, and nerved,—­that any one, actor or orator, who has ever observed the effect that a single earnest and kindly look in the crowd that is to be addressed and won, will produce upon his mind, may readily account for the sudden and inspiriting influence which the eye and smile of the stranger exercised on the debutante.

And while yet she gazed, and the glow returned to her heart, the stranger half rose, as if to recall the audience to a sense of the courtesy due to one so fair and young; and the instant his voice gave the signal, the audience followed it by a burst of generous applause.  For this stranger himself was a marked personage, and his recent arrival at Naples had divided with the new opera the gossip of the city.  And then as the applause ceased, clear, full, and freed from every fetter, like a spirit from the clay, the Siren’s voice poured forth its entrancing music.  From that time Viola forgot the crowd, the hazard, the whole world,—­except the fairy one over with she presided.  It seemed that the stranger’s presence only served still more to heighten that delusion, in which the artist sees no creation without the circle of his art, she felt as if that serene brow, and those brilliant eyes, inspired her with powers never known before:  and, as if searching for a language to express the strange sensations occasioned by his presence, that presence itself whispered to her the melody and the song.

Only when all was over, and she saw her father and felt his joy, did this wild spell vanish before the sweeter one of the household and filial love.  Yet again, as she turned from the stage, she looked back involuntarily, and the stranger’s calm and half-melancholy smile sank into her heart,—­to live there, to be recalled with confused memories, half of pleasure, and half of pain.

Pass over the congratulations of the good Cardinal-Virtuoso, astonished at finding himself and all Naples had been hitherto in the wrong on a subject of taste,—­still more astonished at finding himself and all Naples combining to confess it; pass over the whispered ecstasies of admiration which buzzed in the singer’s ear, as once more, in her modest veil and quiet dress, she escaped from the crowd of gallants that choked up every avenue behind the scenes; pass over the sweet embrace of father and child, returning through the starlit streets and along the deserted Chiaja in the Cardinal’s carriage; never pause now to note the tears and ejaculations of the good, simple-hearted mother,—­see them returned; see the well-known room, venimus ad larem nostrum (We come to our own house.); see old Gionetta bustling at the supper; and hear Pisani, as he rouses the barbiton from its case, communicating all that has happened to the intelligent Familiar; hark to the mother’s merry, low, English laugh.  Why, Viola, strange child, sittest thou apart, thy face leaning on thy fair hands, thine eyes fixed on space?  Up, rouse thee!  Every dimple on the cheek of home must smile to-night. ("Ridete quidquid est domi cachinnorum.”  Catull. “ad Sirm.  Penin.”)