Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

“I am so much obliged to you for your company, Miss Day,” he observed, as they drove past the two semicircular bays of the Old Royal Hotel, where His Majesty King George the Third had many a time attended the balls of the burgesses.

To Miss Day, crediting him with the same consciousness of mastery—­a consciousness of which he was perfectly innocent—­this remark sounded like a magnanimous intention to soothe her, the captive.

“I didn’t come for the pleasure of obliging you with my company,” she said.

The answer had an unexpected manner of incivility in it that must have been rather surprising to young Dewy.  At the same time it may be observed, that when a young woman returns a rude answer to a young man’s civil remark, her heart is in a state which argues rather hopefully for his case than otherwise.

There was silence between them till they had left the sea-front and passed about twenty of the trees that ornamented the road leading up out of the town towards Casterbridge and Mellstock.

“Though I didn’t come for that purpose either, I would have done it,” said Dick at the twenty-first tree.

“Now, Mr. Dewy, no flirtation, because it’s wrong, and I don’t wish it.”

Dick seated himself afresh just as he had been sitting before, arranged his looks very emphatically, and cleared his throat.

“Really, anybody would think you had met me on business and were just going to commence,” said the lady intractably.

“Yes, they would.”

“Why, you never have, to be sure!”

This was a shaky beginning.  He chopped round, and said cheerily, as a man who had resolved never to spoil his jollity by loving one of womankind—­

“Well, how are you getting on, Miss Day, at the present time?  Gaily, I don’t doubt for a moment.”

“I am not gay, Dick; you know that.”

“Gaily doesn’t mean decked in gay dresses.”

“I didn’t suppose gaily was gaily dressed.  Mighty me, what a scholar you’ve grown!”

“Lots of things have happened to you this spring, I see.”

“What have you seen?”

“O, nothing; I’ve heard, I mean!”

“What have you heard?”

“The name of a pretty man, with brass studs and a copper ring and a tin watch-chain, a little mixed up with your own.  That’s all.”

“That’s a very unkind picture of Mr. Shiner, for that’s who you mean!  The studs are gold, as you know, and it’s a real silver chain; the ring I can’t conscientiously defend, and he only wore it once.”

“He might have worn it a hundred times without showing it half so much.”

“Well, he’s nothing to me,” she serenely observed.

“Not any more than I am?”

“Now, Mr. Dewy,” said Fancy severely, “certainly he isn’t any more to me than you are!”

“Not so much?”

She looked aside to consider the precise compass of that question.  “That I can’t exactly answer,” she replied with soft archness.

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Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school from Project Gutenberg. Public domain.