Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.
the rests between each figure, turned their eyes in the direction of these seated ones, were only able to discover, on account of the music and bustle, that a very striking circumstance was in course of narration—­denoted by an emphatic sweep of the hand, snapping of the fingers, close of the lips, and fixed look into the centre of the listener’s eye for the space of a quarter of a minute, which raised in that listener such a reciprocating working of face as to sometimes make the distant dancers half wish to know what such an interesting tale could refer to.

Fancy caused her looks to wear as much matronly expression as was obtainable out of six hours’ experience as a wife, in order that the contrast between her own state of life and that of the unmarried young women present might be duly impressed upon the company:  occasionally stealing glances of admiration at her left hand, but this quite privately; for her ostensible bearing concerning the matter was intended to show that, though she undoubtedly occupied the most wondrous position in the eyes of the world that had ever been attained, she was almost unconscious of the circumstance, and that the somewhat prominent position in which that wonderfully-emblazoned left hand was continually found to be placed, when handing cups and saucers, knives, forks, and glasses, was quite the result of accident.  As to wishing to excite envy in the bosoms of her maiden companions, by the exhibition of the shining ring, every one was to know it was quite foreign to the dignity of such an experienced married woman.  Dick’s imagination in the meantime was far less capable of drawing so much wontedness from his new condition.  He had been for two or three hours trying to feel himself merely a newly-married man, but had been able to get no further in the attempt than to realize that he was Dick Dewy, the tranter’s son, at a party given by Lord Wessex’s head man-in-charge, on the outlying Yalbury estate, dancing and chatting with Fancy Day.

Five country dances, including ‘Haste to the Wedding,’ two reels, and three fragments of horn-pipes, brought them to the time for supper, which, on account of the dampness of the grass from the immaturity of the summer season, was spread indoors.  At the conclusion of the meal Dick went out to put the horse in; and Fancy, with the elder half of the four bridesmaids, retired upstairs to dress for the journey to Dick’s new cottage near Mellstock.

“How long will you be putting on your bonnet, Fancy?” Dick inquired at the foot of the staircase.  Being now a man of business and married, he was strong on the importance of time, and doubled the emphasis of his words in conversing, and added vigour to his nods.

“Only a minute.”

“How long is that?”

“Well, dear, five.”

“Ah, sonnies!” said the tranter, as Dick retired, “’tis a talent of the female race that low numbers should stand for high, more especially in matters of waiting, matters of age, and matters of money.”

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Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school from Project Gutenberg. Public domain.