Jeanne’s last act in St. Denis was one to which perhaps the modern reader gives undue significance, but which certainly must have had a certain melancholy meaning. Before she left, dragged almost a captive in the train of the King, we are told that she laid on the altar of the cathedral the armour she had worn on that evil day before Paris. It was not an unusual act for a warrior to do this on his return from the wars. And if she had been about to renounce her mission it would have been easily comprehensible. But no such thought was in her mind. Was it a movement of despair, was it with some womanish fancy that the arms in which she had suffered defeat should not be borne again?—or was it done in some gleam of higher revelation made to her that defeat, too, was a part of victory, and that not without that bitterness of failure could the fame of the soldier of Christ be perfected? I have remarked already that we hear no more of the white armour, inlaid with silver and dazzling like a mirror, in which she had begun her career; perhaps it was the remains of that panoply of triumph which she laid out before the altar of the patron saint of France, all dim now with hard work and the shadow of defeat. It must have marked a renunciation of one kind or another, the sacrifice of some hope. She was no longer Jeanne the invincible, the triumphant, whose very look made the enemy tremble and flee, and gave double force to every Frenchman’s arm. Was she then and there abdicating, becoming to her own consciousness Jeanne the champion only,