Wa-a-atch and pray-hay! 
  Night and day-hay!

This melancholy admonition was the entire business of his life.  He did nothing at all but walk up and down the streets of Islington exhorting the inhabitants to watch and pray.  I do not recollect that this sailor-man stopped to collect pennies, and my impression is that he was, after his fashion, a volunteer evangelist.

The tragedy of Mr. Punch was another, and a still greater delight.  I was never allowed to go out into the street to mingle with the little crowd which gathered under the stage, and as I was extremely near-sighted, the impression I received was vague.  But when, by happy chance, the show stopped opposite our door, I saw enough of that ancient drama to be thrilled with terror and delight.  I was much affected by the internal troubles of the Punch family; I thought that with a little more tact on the part of Mrs. Punch and some restraint held over a temper, naturally violent, by Mr. Punch, a great deal of this sad misunderstanding might have been prevented.

The momentous close, when a figure of shapeless horror appears on the stage, and quells the hitherto undaunted Mr. Punch, was to me the bouquet of the entire performance.  When Mr. Punch, losing his nerve, points to this shape and says in an awestruck, squeaking whisper, ‘Who’s that?  Is it the butcher?’ and the stern answer comes, ‘No, Mr. Punch!’ And then, ‘Is it the baker?’ ’No, Mr. Punch!’ ‘Who is it then?’ (this in a squeak trembling with emotion and terror); and then the full, loud reply, booming like a judgement-bell, ‘It is the Devil come to take you down to Hell,’ and the form of Punch, with kicking legs, sunken in epilepsy on the floor,—­all this was solemn and exquisite to me beyond words.  I was not amused—­I was deeply moved and exhilarated, ‘purged’, as the old phrase hath it, ‘with pity and terror’.

Another joy, in a lighter key, was watching a fantastic old man who came slowly up the street, hung about with drums and flutes and kites and coloured balls, and bearing over his shoulders a great sack.  Children and servant-girls used to bolt up out of areas, and chaffer with this gaudy person, who would presently trudge on, always repeating the same set of words—­

    Here’s your toys
    For girls and boys,
    For bits of brass
    And broken glass,
  (these four lines being spoken in a breathless hurry)
    A penny or a vial-bottell . . . .
  (this being drawled out in an endless wail).

I was not permitted to go forth and trade with this old person, but sometimes our servant-maid did, thereby making me feel that if I did not hold the rose of merchandise, I was very near it.  My experiences with my cousins at Clifton had given me the habit of looking out into the world—­even though it was only into the pale world of our quiet street.