entered one of the classes in the Institute.  All this was accomplished through his wife, Claudine Chaffaroux, formerly the dancer, Tullia, whom he married in 1829. [A Prince of Bohemia.  The Middle Classes.] For a long time he wrote vaudeville sketches over the name of Cursy.  Nathan, the poet, found it necessary to unite with him.  Du Bruel would make use of the author’s ideas, condensing them into small, sprightly skits which always scored successes for the actors.  Du Bruel and Nathan discovered the actress Florine.  They were the authors of “L’Alcade dans l’embarras,” an imbroglio in three acts, played at the Theatre du Panorama-Dramatique about 1822, when Florine made her debut, playing with Coralie and Bouffe, the latter under the name of Vignol. [A Distinguished Provincial at Paris.  A Daughter of Eve.]

BRUEL (Claudine Chaffaroux, Madame du), born at Nanterre in 1799.  One of the premiere danseuses of the Opera from 1817 to 1827.  For several years she was the mistress of the Duc de Rhetore [A Bachelor’s Establishment.], and afterwards of Jean-Francois du Bruel, who was much in love with her in 1823, and married her in 1829.  She had then left the stage.  About 1834 she met Charles Edouard de la Palferine and formed a violent attachment for him.  In order to please him and pose in his eyes as a great lady, she urged her husband to the constant pursuit of honors, and finally achieved the title of countess.  Nevertheless she continued to play the lady of propriety and found entrance into bourgeoisie society. [A Prince of Bhoemia.  A Distinguished Provincial at Paris.  Letters of Two Brides.] In 1840, to please Mme. Colleville, her friend, she tried to obtain a decoration for Thuillier. [The Middle Classes.] Mme. du Bruel bore the name of Tullia on the stage and in the “gallant” circle.  She lived then in rue Chauchat, in a house afterwards occupied by Mmes.  Mirah and Brisetout, when Claudine moved after her marriage to rue de la Victoire.

BRUNET, bailiff at Blagny, Burgundy, in 1823.  He was also councillor of the Canton during the Terror, having for practitioners Michel Vert alias Vermichel and Fourchon the elder. [The Peasantry.]

BRUNNER (Gedeon), father of Frederic Brunner.  At the time of the French Restoration and of Louis Philippe he owned the great Holland House at Frankford-on-the-Main.  One of the early railway projectors.  He died about 1844, leaving four millions.  Calvinist.  Twice married. [Cousin Pons.]

BRUNNER (Madame), first wife of Gedeon Brunner, and mother of Frederic Brunner.  A relative of the Virlaz family, well-to-do Jewish furriers of Leipsic.  A converted Jew.  Her dowry was the basis of her husband’s fortune.  She died young, leaving a son aged but twelve. [Cousin Pons.]

BRUNNER (Madame), second wife of Gedeon Brunner.  The only daughter of a German inn-keeper.  She had been very badly spoiled by her parents.  Sterile, dissipated and prodigal, she made her husband very unhappy, thus avenging the first Mme. Brunner.  She was a step-mother of the most abominable sort, launching her stepson into an unbridled life, hoping that debauchery would devour both the child and the Jewish fortune.  After ten years of wedded life she died before her parents, having made great inroads upon Gedeon Brunner’s property. [Cousin Pons.]