house-physician at Hotel-Dieu; Leon Giraud, the profound philosopher; Joseph Bridau, the painter who later achieved so much renown; Fulgence Ridal, comic poet of great sprightliness; Meyraux, the eminent physiologist who died young; lastly, Louis Lambert and Michel Chrestien, the Federalist Republican, both of whom were cut off in their prime.  To these men of heart and of talent Lucien de Rubempre, the poet, sought to attach himself.  He was introduced by Daniel d’Arthez, their recognized leader.  This society had taken the name of the “Cenacle.”  D’Arthez and his friends advised and aided, when in need, Lucien the “Distinguished Provincial at Paris” who ended so tragically.  Moreover, with a truly remarkable disinterestedness d’Arthez corrected and revised “The Archer of Charles IX.,” written by Lucien, and the work became a superb book, in his hands.  Another glimpse of d’Arthez is as the unselfish friend of Marie Gaston, a young poet of his stamp, but “effeminate.”  D’Arthez was swarthy, with long locks, rather small and bearing some resemblance to Bonaparte.  He might be called the rival of Rousseau, “the Aquatic,” since he was very temperate, very pure, and drank water only.  For a long time he ate at Flicoteaux’s in the Latin Quarter.  He had grown famous in 1832, besides enjoying an income of thirty thousand francs bequeathed by an uncle who had left him a prey to the most biting poverty so long as the author was unknown.  D’Arthez then resided in a pretty house of his own in the rue de Bellefond, where he lived in other respects as formerly, in the rigor of work.  He was a deputy sitting on the right and upholding the Royalist platform of Divine Right.  When he had acquired a competence, he had a most vulgar and incomprehensible liaison with a woman tolerably pretty, but belonging to a lower society and without either education or breeding.  D’Arthez maintained her, nevertheless, carefully concealing her from sight; but, far from being a pleasurable manner of life, it became odious to him.  It was at this time that he was invited to the home of Diane de Maufrigneuse, Princesse de Cadignan, who was then thirty-six, but did not look it.  The famous “great coquette” told him her (so-called) “secrets,” offered herself outright to this man whom she treated as a “famous simpleton,” and whom she made her lover.  After that day there was no doubt about the relations of the princesse and Daniel d’Arthez.  The great author, whose works became very rare, appeared only during some of the winter months at the Chamber of Deputies. [A Distinguished Provincial at Paris.  Letters of Two Brides.  The Member for Arcis.  The Secrets of a Princess.]

ASIE, one of the pseudonyms of Jacqueline Collin. (See that name.) [Scenes from a Courtesan’s Life.]

ATHALIE, cook for Mme. Schontz in 1836.  According to her mistress, she was specially gifted in preparing venison. [The Muse of the Department.]