Critical and Historical Essays — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 1,030 pages of information about Critical and Historical Essays — Volume 1.

Critical and Historical Essays — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 1,030 pages of information about Critical and Historical Essays — Volume 1.

The Prince, whose accession was thus hailed by a great party long estranged from his house, had received from nature a strong will, a firmness of temper to which a harsher name might perhaps be given, and an understanding not, indeed, acute or enlarged, but such as qualified him to be a good man of business.  But his character had not yet fully developed itself.  He had been brought up in strict seclusion.  The detractors of the Princess Dowager of Wales affirmed that she had kept her children from commerce with society, in order that she might hold an undivided empire over their minds.  She gave a very different explanation of her conduct.  She would gladly, she said, see her sons and daughters mix in the world, if they could do so without risk to their morals.  But the profligacy of the people of quality alarmed her.  The young men were all rakes; the young women made love, instead of waiting till it was made to them.  She could not bear to expose those whom she loved best to the contaminating influence of such society.  The moral advantages of the system of education which formed the Duke of York, the Duke of Cumberland, and the Queen of Denmark, may perhaps be questioned.  George the Third was indeed no libertine; but he brought to the throne a mind only half open, and was for some time entirely under the influence of his mother and of his Groom of the Stole, John Stuart, Earl of Bute.

The Earl of Bute was scarcely known, even by name, to the country which he was soon to govern.  He had indeed, a short time after he came of age, been chosen to fill a vacancy, which, in the middle of a parliament, had taken place among the Scotch representative peers.  He had disobliged the Whig ministers by giving some silent votes with the Tories, had consequently lost his seat at the next dissolution, and had never been re-elected.  Near twenty years had elapsed since he had borne any part in politics.  He had passed some of those years at his seat in one of the Hebrides, and from that retirement he had emerged as one of the household of Prince Frederic.  Lord Bute, excluded from public life, had found out many ways of amusing his leisure.  He was a tolerable actor in private theatricals, and was particularly successful in the part of Lothario.  A handsome leg, to which both painters and satirists took care to give prominence, was among his chief qualifications for the stage.  He devised quaint dresses for masquerades.  He dabbled in geometry, mechanics, and botany.  He paid some attention to antiquities and works of art, and was considered in his own circle as a judge of painting, architecture, and poetry.  It is said that his spelling was incorrect.  But though, in our time, incorrect spelling is justly considered as a proof of sordid ignorance, it would be unjust to apply the same rule to people who lived a century ago.  The novel of Sir Charles Grandison was published about the time at which Lord Bute made his appearance at Leicester House.  Our readers may perhaps remember

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Critical and Historical Essays — Volume 1 from Project Gutenberg. Public domain.