He now saw clearly that the tempest was gathering fast, that the great alliance which he had formed and over which he had watched with parental care was about to be dissolved, that times were at hand when it would be necessary for him, if he continued in public life, either to take part decidedly against the Court, or to forfeit the high reputation which he enjoyed at home and abroad. He began to make preparations for retiring altogether from business. He enlarged a little garden which he had purchased at Sheen, and laid out some money in ornamenting his house there. He was still nominally ambassador to Holland; and the English Ministers continued during some months to flatter the States with the hope that he would speedily return. At length, in June 1671, the designs of the Cabal were ripe. The infamous treaty with France had been ratified. The season of deception was past, and that of insolence and violence had arrived. Temple received his formal dismission, kissed the King’s hand, was repaid for his services with some of those vague compliments and promises which cost so little to the cold heart, the easy temper, and the ready tongue of Charles, and quietly withdrew to his little nest, as he called it, at Sheen.
There he amused himself with gardening, which he practised so successfully that the fame of his fruit-trees soon spread far and wide. But letters were his chief solace. He had, as we have mentioned, been from his youth in the habit of diverting himself with composition. The clear and agreeable language of his despatches had early attracted the notice of his employers; and, before the peace of Breda, he had, at the request of Arlington, published a pamphlet on the war, of which nothing is now known, except that it had some vogue at the time, and that Charles, not a contemptible judge, pronounced it to be very well written. Temple had also, a short time before he began to reside at the Hague, written a treatise on the state of Ireland, in which he showed all the feelings of a Cromwellian. He had gradually formed a style singularly lucid and melodious, superficially deformed, indeed, by Gallicisms