Four yojanas on from this place to the east brought the travellers to the confluence of the five rivers.(1) When Ananda was going from Magadha(2) to Vaisali, wishing his pari-nirvana to take place (there), the devas informed king Ajatasatru(3) of it, and the king immediately pursued him, in his own grand carriage, with a body of soldiers, and had reached the river. (On the other hand), the Lichchhavis of Vaisali had heard that Amanda was coming (to their city), and they on their part came to meet him. (In this way), they all arrived together at the river, and Ananda considered that, if he went forward, king Ajatasatru would be very angry, while, if he went back, the Lichchhavis would resent his conduct.  He thereupon in the very middle of the river burnt his body in a fiery ecstasy of Samadhi,(4) and his pari-nirvana was attained.  He divided his body (also) into two, (leaving) the half of it on each bank; so that each of the two kings got one half as a (sacred) relic, and took it back (to his own capital), and there raised a tope over it.

   NOTES

   (1) This spot does not appear to have been identified.  It could not be
   far from Patna.

(2) Magadha was for some time the headquarters of Buddhism; the holy land, covered with viharas; a fact perpetuated, as has been observed in a previous note, in the name of the present Behar, the southern portion of which corresponds to the ancient kingdom of Magadha.

(3) In Singhalese, Ajasat.  See the account of his conversion in M. B., pp. 321-326.  He was the son of king Bimbisara, who was one of the first royal converts to Buddhism.  Ajasat murdered his father, or at least wrought his death; and was at first opposed to Sakyamuni, and a favourer of Devadatta.  When converted, he became famous for his liberality in almsgiving.

(4) Eitel has a long article (pp. 114, 115) on the meaning of Samadhi, which is one of the seven sections of wisdom (bodhyanga).  Hardy defines it as meaning “perfect tranquillity;” Turnour, as “meditative abstraction;” Burnouf, as “self-control;” and Edkins, as “ecstatic reverie.”  “Samadhi,” says Eitel, “signifies the highest pitch of abstract, ecstatic meditation; a state of absolute indifference to all influences from within or without; a state of torpor of both the material and spiritual forces of vitality; a sort of terrestrial nirvana, consistently culminating in total destruction of life.”  He then quotes apparently the language of the text, “He consumed his body by Agni (the fire of) Samadhi,” and says it is “a common expression for the effects of such ecstatic, ultra-mystic self-annihilation.”  All this is simply “a darkening of counsel by words without knowledge.”  Some facts concerning the death of Ananda are hidden beneath the darkness of the phraseology, which it is impossible for us to ascertain.  By or in Samadhi he burns his body in the very middle of the river, and then