A Record of Buddhistic kingdoms: being an account by the Chinese monk Fa-hsien of travels in India and Ceylon (A.D. 399-414) in search of the Buddhist books of discipline eBook

This eBook from the Gutenberg Project consists of approximately 180 pages of information about A Record of Buddhistic kingdoms.

A Record of Buddhistic kingdoms: being an account by the Chinese monk Fa-hsien of travels in India and Ceylon (A.D. 399-414) in search of the Buddhist books of discipline eBook

This eBook from the Gutenberg Project consists of approximately 180 pages of information about A Record of Buddhistic kingdoms.

As you go out from the city by the south gate, and 1,200 paces from it, the (Vaisya) head Sudatta built a vihara, facing the south; and when the door was open, on each side of it there was a stone pillar, with the figure of a wheel on the top of that on the left, and the figure of an ox on the top of that on the right.  On the left and right of the building the ponds of water clear and pure, the thickets of trees always luxuriant, and the numerous flowers of various hues, constituted a lovely scene, the whole forming what is called the Jetavana vihara.(7)

When Buddha went up to the Trayastrimsas heaven,(8) and preached the Law for the benefit of his mother, (after he had been absent for) ninety days, Prasenajit, longing to see him, caused an image of him to be carved in Gosirsha Chandana wood,(9) and put in the place where he usually sat.  When Buddha on his return entered the vihara, Buddha said to it, “Return to your seat.  After I have attained to pari-nirvana, you will serve as a pattern to the four classes of my disciples,"(10) and on this the image returned to its seat.  This was the very first of all the images (of Buddha), and that which men subsequently copied.  Buddha then removed, and dwelt in a small vihara on the south side (of the other), a different place from that containing the image, and twenty paces distant from it.

The Jetavana vihara was originally of seven storeys.  The kings and people of the countries around vied with one another in their offerings, hanging up about it silken streamers and canopies, scattering flowers, burning incense, and lighting lamps, so as to make the night as bright as the day.  This they did day after day without ceasing. (It happened that) a rat, carrying in its mouth the wick of a lamp, set one of the streamers or canopies on fire, which caught the vihara, and the seven storeys were all consumed.  The kings, with their officers and people, were all very sad and distressed, supposing that the sandal-wood image had been burned; but lo! after four or five days, when the door of a small vihara on the east was opened, there was immediately seen the original image.  They were all greatly rejoiced, and co-operated in restoring the vihara.  When they had succeeded in completing two storeys, they removed the image back to its former place.

When Fa-hien and Tao-ching first arrived at the Jetavana monastery, and thought how the World-honoured one had formerly resided there for twenty-five years, painful reflections arose in their minds.  Born in a border-land, along with their like-minded friends, they had travelled through so many kingdoms; some of those friends had returned (to their own land), and some had (died), proving the impermanence and uncertainty of life; and to-day they saw the place where Buddha had lived now unoccupied by him.  They were melancholy through their pain of heart, and the crowd of monks came out, and asked them from what kingdom they were come.  “We are come,” they replied, “from the land of Han.”  “Strange,” said the monks with a sigh, “that men of a border country should be able to come here in search of our Law!” Then they said to one another, “During all the time that we, preceptors and monks,(11) have succeeded to one another, we have never seen men of Han, followers of our system, arrive here.”

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A Record of Buddhistic kingdoms: being an account by the Chinese monk Fa-hsien of travels in India and Ceylon (A.D. 399-414) in search of the Buddhist books of discipline from Project Gutenberg. Public domain.